The reader is asked to find various animals and objects and a boy named Seymour in the photographs.

A heartwarming and dramatic World War I saga of secrets, love and the British royal family for readers of Daisy Styles and Maisie Thomas. 'A heartwarming historical novel' Rosie Goodwin 'A gripping historical saga' Daisy Styles Roll out the red carpet. The royal train is due in half an hour and there's not a minute to be wasted. It's 1915 and the country is at war. In the small Norfolk village of Wolferton, uncertainty plagues the daily lives of sisters Ada, Jessie and Beatrice Saward, as their men are dispatched to the frontlines of Gallipoli. Harry, their father, is the station master at the local stop for the royal Sandringham Estate. With members of the royal family and their aristocratic guests passing through the station on their way to the palace, the Sawards' unique position gives them unrivalled access to the monarchy. But when the Sawards' estranged and impoverished cousin Maria shows up out of the blue, everything the sisters thought they knew about their family is thrown into doubt. The Royal Station Master's Daughters is the first book in a brand-new World War I saga series, inspired by the Saward family, who ran the station at Wolferton in the late nineteenth and early twentieth centuries. Through this history-making family we get a glimpse into all walks of life - from glittering royalty to the humblest of servants. Don't miss the rest of this heartwarming historical trilogy - The Royal Station Master's Daughters at War and The Royal Station Master's Daughters in Love. 'Anyone who reads romantic fiction in a historical setting should love [The Royal Station Master's Daughters] but for anyone who knows Sandringham it really does evoke something of the place and life on the estate' Neil Storey, WWI historian

A new search-and-find fold-out adventure from bestselling photographer/author Walter Wick in this oversized gift book A new and exciting page-turning, lift-the-flap, search-and-find extravaganza by Walter Wick Curious seekers will expand the fun as they lift up the pages to discover that something has changed and it's time to solve a brand-new riddle All of Walter Wick's beautiful photographs include the character of Seymour (from the Can You See What I See? series) and introduce Seymour's new dog, Buttons. Join Seymour and Buttons on their search-and-find adventure

In Strange Natures, Nicole Seymour investigates the ways in which contemporary queer fictions offer insight on environmental issues through their performance of a specifically queer understanding of nature, the nonhuman, and environmental degradation. By drawing upon queer theory and ecocriticism, Seymour examines how contemporary queer fictions extend their critique of "natural" categories of gender and sexuality to the nonhuman natural world, thus constructing a queer environmentalism. Seymour's thoughtful analyses of works such as Leslie Feinberg's Stone Butch Blues, Todd Haynes's Safe, and Ang Lee's Brokeback Mountain illustrate how homophobia, classism, racism, sexism, and xenophobia inform dominant views of the environment and help to justify its exploitation. Calling for a queer environmental ethics, she delineates the discourses that have worked to prevent such an ethics and argues for a concept of queerness that is attuned to environmentalism's urgent futurity, and an environmentalism that is attuned to queer sensibilities.

The last book-length work of fiction by J. D. Salinger published in his lifetime collects two novellas about "one of the liveliest, funniest, most fully realized families in all fiction" (New York Times). These two novellas, set seventeen years apart, are both concerned with Seymour Glass--the eldest son of J. D. Salinger's fictional Glass family--as recalled by his closest brother, Buddy. "He was a great many things to a great many people while he lived, and virtually all things to his brothers and sisters in our somewhat outsized family. Surely he was all real things to us: our blue-striped unicorn, our double-lensed burning glass, our consultant genius, our portable conscience, our supercargo, and our one full poet..."

a collection of poetry

This book contains no words: instead it tells its story in the universal language of photomontage, long the favoured medium of radical artists. The author is one such, whose work has consistently questioned power structures and injustice, from his anti-nuclear works of the 1980s to his powerful works in response to the wars in Iraq and Afghanistan. This photo-essay in seven chapters, combining new works, made together with Tarek Salhany, with iconic images from throughout the author's 40-year career. It makes a powerful statement about the impending eco-crisis, the arms race and the injustices of the power structures dominating today's world.