A collection of erotic stories includes "In the bathroom at Joey's," "Dear Veronica," "Unction," and "Dinner"

At the age of twenty-six, Maarten Troost—who had been pushing the snooze button on the alarm clock of life by racking up useless graduate degrees and muddling through a series of temp jobs—decided to pack up his flip-flops and move to Tarawa, a remote South Pacific island in the Republic of Kiribati. He was restless and lacked direction, and the idea of dropping everything and moving to the ends of the earth was irresistibly romantic. He should have known better. The Sex Lives of Cannibals tells the hilarious story of what happens when Troost discovers that Tarawa is not the island paradise he dreamed of. Falling into one amusing misadventure after another, Troost struggles through relentless, stifling heat, a variety of deadly bacteria, polluted seas, toxic fish—all in a country where the only music to be heard for miles around is “La Macarena.” He and his stalwart girlfriend Sylvia spend the next two years battling incompetent government officials, alarmingly large critters, erratic electricity, and a paucity of food options (including the Great Beer Crisis); and contending with a bizarre cast of local characters, including “Half-Dead Fred” and the self-proclaimed Poet Laureate of Tarawa (a British drunkard who’s never written a poem in his life). With The Sex Lives of Cannibals, Maarten Troost has delivered one of the most original, rip-roaringly funny travelogues in years—one that will leave you thankful for staples of American civilization such as coffee, regular showers, and tabloid news, and that will provide the ultimate vicarious adventure.

This volume provides an ethnographic account of courtship, marriage and family life among the people of the Trobriand Islands.

A “provocative [and] vivid” (Minneapolis Star Tribune) look at the primitive cultures that have given many gifts to the modern world, and how their very existence is now threatened “This book should serve as a ‘wake-up’ call to people everywhere.”—Library Journal In Indian Givers and Native Roots, renowned anthropologist Jack Weatherford explored the clash between Native American and European cultures. Now, in Savages and Civilization, Weatherford broadens his focus to examine how civilization threatens to obliterate unique tribal and ethnic cultures around the world—and in the process imperils its own existence. As Weatherford explains, the relationship between “civilized” and “savage” peoples through history has encompassed not only violence, but also a surprising degree of cooperation, mutual influence, trade, and intermarriage. But this relationship has now entered a critical stage everywhere in the world, as indigenous peoples fiercely resist the onslaught of a global civilization that will obliterate their identities. Savages and Civilization powerfully demonstrates that our survival as a species is based not on a choice between savages and civilization, but rather on a commitment to their vital coexistence.

In this brilliant exploratory attempt (written in 1912–1913) to extend the analysis of the individual psyche to society and culture, Freud laid the lines for much of his later thought, and made a major contribution to the psychology of religion. Primitive societies and the individual, he found, mutually illuminate each other, and the psychology of primitive races bears marked resemblances to the psychology of neurotics. Basing his investigations on the findings of the anthropologists, Freud came to the conclusion that totemism and its accompanying restriction of exogamy derive from the savage’s dread of incest, and that taboo customs parallel closely the symptoms of compulsion neurosis. The killing of the “primal father” and the consequent sense of guilt are seen as determining events both in the mistry tribal pre-history of mankind, and in the suppressed wishes of individual men. Both toteism and taboo are thus held to have their roots in the Oedipus complex, which lies at the basis of all neurosis, and, as Freud argues, is also the origin of religion, ethics, society, and art.