Sex, Gender and Sexuality in Renaissance Italy explores the new directions being taken in the study of sex and gender in Italy from 1300 to 1700 and highlights the impact that recent scholarship has had in revealing innovative ways of approaching this subject. In this interdisciplinary volume, twelve scholars of history, literature, art history, and philosophy use a variety of both textual and visual sources to examine themes such as gender identities and dynamics, sexual transgression and sexual identities in leading Renaissance cities. It is divided into three sections, which work together to provide an overview of the influence of sex and gender in all aspects of Renaissance society from politics and religion to literature and art. Part I: Sex, Order, and Disorder deals with issues of law, religion, and violence in marital relationships; Part II: Sense and Sensuality in Sex and Gender considers gender in relation to the senses and emotions; and Part III: Visualizing Sexuality in Word and Image investigates gender, sexuality, and erotica in art and literature. Bringing to life this increasingly prominent area of historical study, Sex, Gender and Sexuality in Renaissance Italy is ideal for students of Renaissance Italy and early modern gender and sexuality.

An examination of how Renaissance textual practices and new forms of knowledge transformed notions of sex and sexuality in France.

Focusing on the impact of the erotic revolution that swept through 16th-century Italy, Eros Visible presents a compendious, revisionist account of High Renaissance art. Through close visual analysis of artworks and careful reading of related texts, James Grantham Turner demonstrates the surprisingly close connection between explicitly pornographic art and the canonical works of masters such as Leonardo, Raphael, and Michelangelo. Full of new discoveries, this volume explores the passionate response to antiquity and how a new sex-positive philosophy not only encouraged an increased accentuation of sensual and erotic themes in art, but influenced the sexual cultures of both the court and the art studio. With an interdisciplinary approach that draws on a wide array of visual and textual erotica, Turner offers the first broad, synthetic history of the classically inspired and unambiguously lascivious sensibilities behind some of the most sublime artistic achievements of the Renaissance.

From the tenor of contemporary discussions, it would be easy to conclude that the idea of marriage between two people of the same sex is a uniquely contemporary phenomenon. Not so, argues Gary Ferguson in Same-Sex Marriage in Renaissance Rome. Making use of substantial fragments of trial transcripts Gary Ferguson brings the story of a same-sex marriage to life in striking detail. He unearths an incredible amount of detail about the men, their sex lives, and how others responded to this information, which allows him to explore attitudes toward marriage, sex, and gender at the time. Emphasizing the instability of marriage in premodern Europe, Ferguson argues that same-sex unions should be considered part of the institution's complex and contested history.

Using the records of several Venetian courts that dealt with sex crimes, Ruggiero traces the evolution of both licit and illicit sexuality during the fourteenth and fifteenth centuries, providing insight into Venetian society and, ultimately, the Renaissance itself.

This major new collection of essays by leading scholars of Renaissance Italy transforms many of our existing notions about Renaissance politics, economy, social life, religion, medicine, and art. All the essays are founded on original archival research and examine questions within a wide chronological and geographical framework - in fact the pan-Italian scope of the volume is one of the volume's many attractions.Gender and Society in Renaissance Italy provides a broad, comprehensive perspective on the central role that gender concepts played in Italian Renaissance society.

Studies on gender and sexuality have proliferated in the last decades, covering a wide spectrum of disciplines. This collection of essays offers a metanarrative of sexuality as it has been recently embedded in the art historical discourse of the European Renaissance. It revisits ‘canonical’ forms of visual culture, such as painting, sculpture and a number of emblematic manuscripts. The contributors focus on one image—either actual or thematic—and examine it against its historiographic assumptions. Through the use of interdisciplinary approaches, the essays propose to unmask the ideology(ies) of representation of sexuality and suggest a richer image of the ever-shifting identities of gender. The collection focuses on the Italian Renaissance, but also includes case studies from Germany and France.