Our history is littered with heads. Over the centuries, they have decorated our churches, festooned our city walls and filled our museums; they have been props for artists and specimens for laboratory scientists, trophies for soldiers and items of barter. Today, as videos of decapitations circulate online and cryonicists promise that our heads may one day live on without our bodies, the severed head is as contentious and compelling as ever. From shrunken heads to trophies of war; from memento mori to Damien Hirst's With Dead Head; from grave-robbing phrenologists to enterprising scientists, Larson explores the bizarre, often gruesome and confounding history of the severed head. Its story is our story.

A novel about the frightfulness and ruthlessness of being in love, from the author of the Booker Prize-winning novel The Sea, The Sea Martin Lynch-Gibson believes he can possess both a beautiful wife and a delightful lover. But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional reeducation. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendor at first repels him and later arouses a consuming and monstrous passion. As his Medusa informs him, “this is nothing to do with happiness.” A Severed Head was adapted for a successful stage production in 1963 and was later made into a film starring Claire Bloom, Lee Remick, Richard Attenborough, and Ian Holm.

Renowned philosopher and cultural theorist Kristeva (Powers of Horror: An Essay on Abjection) offers an extended consideration of artistic figurations of the severed head, the organizing theme to an exhibition she coordinated at the Louvre in 1998. Though she follows a single historical trajectory, moving from Paleolithic skull cults to antique Greek sculpture to the Surrealist drawings, Kristeva eschews the disciplinary constraints of art history, instead employing psychoanalysis to explore the intertwined problems of representation and mortality posed by the severed head. For Kristeva, the capacity to figure the life of the mind first requires a confrontation with this horrific object that stands at the boundary between life and death, registering not only the loss of corporeal form but also subjective interiority. Though this book does not engage with recent images of decapitation, it is not without contemporary political-cultural import; for Kristeva, these cruel artistic figurations offer us the capacity to contemplate the sacred within a technology-driven contemporary visual culture. Verdict While a challenging text, this beautifully written and richly layered meditation on mortality and representation will undoubtedly appeal to those readers interested in semiotic and psychoanalytically informed readings of art.-Jonathan Patkowski, CUNY Graduate Ctr.(c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Robyn Schneider's The Beginning of Everything is a witty and heart-wrenching teen novel that will appeal to fans of books by John Green and Ned Vizzini, novels such as The Perks of Being a Wallflower, and classics like The Great Gatsby and The Catcher in the Rye. Varsity tennis captain Ezra Faulkner was supposed to be homecoming king, but that was before—before his girlfriend cheated on him, before a car accident shattered his leg, and before he fell in love with unpredictable new girl Cassidy Thorpe. As Kirkus said in a starred review, "Schneider takes familiar stereotypes and infuses them with plenty of depth. Here are teens who could easily trade barbs and double entendres with the characters that fill John Green's novels." Funny, smart, and including everything from flash mobs to blanket forts to a poodle who just might be the reincarnation of Jay Gatsby, The Beginning of Everything is a refreshing contemporary twist on the classic coming-of-age novel—a heart-wrenching story about how difficult it is to play the part that people expect, and how new beginnings can stem from abrupt and tragic endings.

Three completely unique stories that form one cohesive story. Each story is written in a different writing style to capture a new perspective. ""Severed Heads"" is enhanced poetry. It's like you're reading the lyrics to any great hip-hop song. It flows seamlessly with captivating imagery and creative word play. Each story is dark and heavy and covers a wide range of topics like: addiction, depression, vanity, sexual abuse, religion, and revenge. William has been crafting a unique writing style. His love for lyrical hip-hop has lead him to create a genre he calls, "rhyme story." Meaning, it's lush like poetry, but has the technique of any skilled lyricists.

This book explores actual and literary depictions of beheadings in sixteenth-century Ireland and addresses how violence is transcribed into art.

Perfect for fans of John Green, Nicola Yoon and Gayle Forman. If you've managed to survive disaster, what happens when it strikes again? Ezra Faulkner believes everyone has a tragedy waiting for them - a single encounter after which everything that really matters will happen. His own tragedy waited until he had everything to lose. In one night, a reckless driver shatters Ezra's knee, his athletic career, and his perfect life. No longer part of the popular crowd, Ezra finds himself at the table of misfits, where he encounters Cassidy Thorpe. Intelligent, effortless and wonderfully weird, she is unlike anyone Ezra's ever met before. Together they discover flash mobs, buried treasure, secret movie screenings and a poodle with a questionable history. But as Ezra dives into new friendships and new love, he is forced to ask: if you've managed to survive disaster, what happens when it strikes again? "Maybe it's time to expand your list of literary crushes to include someone other than Augustus Waters." MTV.com "I couldn't help but think of John Green's novels - I think his fans will eat this up." Publishers Weekly "Heartbreaking and hilarious. I have no doubt that girls everywhere are going to fall madly, deeply, hopelessly in love with Ezra Faulkner." Sarah Mlynowski, NYT bestselling author. "This is one of the most literary teen books I've read for a long time - up there with John Green - and it's a delight to read… the ending absolutely blew me away, being unpredictable, powerful, and altogether fantastic." The Bookbag Severed Heads, Broken Hearts is a lyrical, witty and heart-wrenching novel about how difficult it is to play the part that people expect, and how new beginnings can stem from abrupt and tragic endings.