Seven Modern American Novelists was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This volume provides critical introductions to seven of the most significant American novelists of this century, bringing together in convenient book form the material from some of the University of Minnesota Pamphlets on American Writers. The writers discussed and the contributing authors are Edith Wharton by Louis Auchincloss, Sinclair Lewis by Mark Schorer, F. Scott Fitzgerald by Charles E. Shain, William Faulkner by William Van O'Connor, Ernest Hemingway by Philip Young, Thomas Wolfe by C. Hugh Holman, and Nathanael West by Stanley Edgar Hyman. In an introduction Mr. O'Connor, who is one of the editors of the pamphlet series, discusses some critical principles as they apply to fiction writers in general and to twentieth-century American novelists in particular. He is the author of many volumes of literary criticism as well as a collection of short stories and was a professor of English at the University of California, Davis. Teachers, librarians, and others who use the material of the University of Minnesota Pamphlets on American Writers for frequent reference or as classroom texts will find this book particularly useful. Biographical information about the writers as well as critical evaluations of their writing is given. A bibliography for each writer lists his works and critical and biographical works about him.

These seven critical essays, each on a twentieth-century novelist, are disparate in content, but all are concerned with the problem of evil and inhumanity and with the paradoxes of human existence. Each essay discusses a different author, but this independence of subject is resolved into a central theme through the interpretive approach followed by the seven critics. Each of the contributors presents his subject against the background of the current disillusionment and frustration of our age. Underlying each essay are undertones of the "absurdity" of life today for those who consider it thoughtfully, and the contrast between what men would like reality to be and what they actually find. This unity of theme—the problem of evil, of inhumanity, of meaninglessness, the concern for the human being and his future—is developed in an interesting manner. It was exploited in different ways by the seven modern novelists discussed in the essays, and it is presented with different analytical techniques by the seven critics. Yet the reader senses the unity of feeling and purpose amid the diversity of fictional content and critical evaluation. Besdies the interpretive Introduction by Thomas B. Whitbread, the book contains the following essays: R. W. Lewis, "The Conflicts of Reality: Cozzens' The Last Adam" Alan Friedman, "The Pitching of Love's Mansion in the Tropics of Henry Miller" Roger D. Abrahams, "Androgynes Bound: Nathanael West's Miss Lonelyhearts" George Clark, "An Illiberal Education: William Golding's Pedagogy" Vance Ramsey, "From Here to Absurdity: Heller's Catch-22" Anthony Channell Hilfer, "George and Martha: Sad, Sad, Sad" Robert G. Twombly, "Hubris, Health, and Holiness: The Despair of J. F. Powers"

Seven American Women Writers of the Twentieth Century was first published in 1977. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.

Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies

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As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."