Medusa, once revered for her beauty, is now trapped in a painting, cursed and condemned by the gods for a crime she didnt commit. Every day, she endures the hateful stares of those who believe the lies spun by Olympus, casting her as a monster. But everything changes when Perseus, a mortal who sees beyond the curse, comes into her life. His compassion awakens a spark of hope in Medusa. They set out to confront the gods who betrayed her. Driven by pain and a thirst for justice, Medusa vows to take down Olympus and reclaim her true self. Her curse becomes her weapon, and her vengeance fuels her strength. The gods who once cursed her will soon learn that Medusa is no victim. They thought they could silence her, but Medusa is about to prove that she is more powerful than they ever imagined.

New York Times Bestseller: This in-depth account of Charles Sobhraj, the serial killer portrayed in Netflix miniseries The Serpent, is “compulsive reading” (The Plain Dealer). There was no pattern to the murders, no common thread other than the fact that the victims were all vacationers, robbed of their possessions and slain in seemingly random crimes. Authorities across three continents and a dozen nations had no idea they were all looking for same man: Charles Sobhraj, aka “The Serpent.” A handsome Frenchman of Vietnamese and Indian origin, Sobhraj targeted backpackers on the “hippie trail” between Europe and South Asia. A master of deception, he used his powerful intellect and considerable sex appeal to lure naïve travelers into a life of crime. When they threatened to turn on him, Sobhraj murdered his acolytes in cold blood. Between late 1975 and early 1976, a dozen corpses were found everywhere from the boulevards of Paris to the slopes of the Himalayas to the back alleys of Bangkok and Hong Kong. Some police experts believe the true number of Sobhraj’s victims may be more than twice that amount. Serpentine is the “grotesque, baffling, and hypnotic” true story of one of the most bizarre killing sprees in modern history (San Francisco Chronicle). Edgar Award–winning author Thomas Thompson’s mesmerizing portrait of a notorious sociopath and his helpless prey “unravels like fiction, but afterwards haunts the reader like the document it is” (The Plain Dealer, Cleveland).

#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates

DANICA SHARDAE IS an avian shapeshifter, and the golden hawk’s form in which she takes to the sky is as natural to her as the human one that graces her on land. The only thing more familiar to her is war: It has raged between her people and the serpiente for so long, no one can remember how the fighting began. As heir to the avian throne, she’ll do anything in her power to stop this war—even accept Zane Cobriana, the terrifying leader of her kind’s greatest enemy, as her pair bond and make the two royal families one. Trust. It is all Zane asks of Danica—and all they ask of their people—but it may be more than she can give. A School Library Journal Best Books of the Year A VOYA Best Science Fiction, Fantasy, and Horror List selection

**Don't miss the second series of His Dark Materials on BBC One this November.** A brand new short story set in the world of His Dark Materials and The Book of Dust by master storyteller, Philip Pullman. Serpentine is a perfect gift for every Pullman fan, new and old. 'Lyra Silvertongue, you're very welcome . . . Yes, I know your new name. Serafina Pekkala told me everything about your exploits' Lyra and her daemon Pantalaimon have left the events of His Dark Materials far behind. In this snapshot of their forever-changed lives they return to the North to visit an old friend, where we will learn that things are not exactly as they seem . . . Illustrated throughout by Tom Duxbury, the perfect re-entry for fans of His Dark Materials and a wonderful companion to The Book of Dust. 'It's a stunning achievement, the universe Pullman has created and continues to build on' New York Times 'Pullman is an easeful storyteller and an intricate and inventive world-builder, and everything he has to write is worth reading' Telegraph

The Routledge Handbook of Ecofeminism and Literature explores the interplay between the domination of nature and the oppression of women, as well as liberatory alternatives, bringing together essays from leading academics in the field to facilitate cutting-edge critical readings of literature. Covering the main theoretical approaches and key literary genres of the area, this volume includes: • Examination of ecofeminism through the literatures of a diverse sampling of languages, including Hindi, Chinese, Arabic, and Spanish; native speakers of Tamil, Vietnamese, Turkish, Slovene, and Icelandic. • Analysis of core issues and topics, offering innovative approaches to interpreting literature, including: activism, animal studies, cultural studies, disability, gender essentialism, hegemonic masculinity, intersectionality, material ecocriticism, postcolonialism, posthumanism, postmodernism, race, and sentimental ecology. • Surveys key periods and genres of ecofeminism and literary criticism, including chapters on Gothic, Romantic, and Victorian literatures, children and young adult literature, mystery, and detective fictions, including interconnected genres of climate fiction, science fiction, and fantasy, and distinctive perspectives provided by travel writing, autobiography, and poetry. This collection explores how each of ecofeminism’s core concerns can foster a more emancipatory literary theory and criticism, now and in the future. This comprehensive volume will be of great interest to scholars and students of literature, ecofeminism, ecocriticism, gender studies, and the environmental humanities.