The papers in this tightly focused collection all report recent research on aspects of rendaku (‘sequential voicing’), the well-known morphophonemic phenomenon in Japanese that affects initial consonants of non-initial elements in complex words (mostly compounds). The papers include broad surveys of theoretical analyses and of psycholinguistic studies, meticulous assessments (some relying on a new database) of many of the factors that putatively inhibit or promote rendaku, an investigation of how learners of Japanese as foreign language deal with rendaku, in-depth examinations of rendaku in a divergent dialect of Japanese and in a Ryukyuan language, and a cross-linguistic exploration of rendaku-like compound markers in unrelated languages. Since rendaku is ubiquitous but recalcitrantly irregular, it provides a challenge for any general theory of morphophonology. This collection should serve both to restrain oversimplified accounts of rendaku and to inspire to further research.

The architecture of the human language faculty has been one of the main foci of the linguistic research of the last half century. This branch of linguistics, broadly known as Generative Grammar, is concerned with the formulation of explanatory formal accounts of linguistic phenomena with the ulterior goal of gaining insight into the properties of the 'language organ'. The series comprises high quality monographs and collected volumes that address such issues. The topics in this series range from phonology to semantics, from syntax to information structure, from mathematical linguistics to studies of the lexicon.

This book presents a number of studies which focus on the [voice] grammar of Japanese, paying particular attention to historical background, dialectal diversity, phonetic experiment, and phonological analysis. Both voicing processes in consonants (such as Sequential Voicing, or Rendaku) and vowels (such as vowel devoicing) are examined. A number of new analyses are presented, focusing on well-known data that have been controversial in phonological debate in the past, but also presenting new (or rediscovered) data, partly through the work of Japanese scholars that hitherto went mostly unnoticed, partly through new database research, and partly through phonetic experiment.

This resource contains 14 articles on connected speech of interest to teachers, researchers, and materials developers in both ESL/EFL and Japanese.

"This book provides a clear account of the temporal organization of Japanese phonology, especially the phonetic and phonological nature of moras, feet, and geminate consonants in Japanese. The topics covered include pre-nasal shortening, Japanese perception of rhymes, the occurrence of geminate consonants in Japanese compounds and English loanwords, sequential voicing called rendaku, and the bilabialization of /h/ in counting words which are preceded by the numerals san (three) and yon (four)." "The underlying theme is to provide empirical evidence of whether or not the mora controls isochrony in Japanese rhythm by analyzing the results of more than twenty production and perception experiments which were conducted with a total of 960 native Japanese and English speakers. This book is suitable not only for professional linguists, but also for people who are learning Japanese as a foreign language and wish to explore various theoretical issues of Japanese phonology."--BOOK JACKET.

This volume is the first comprehensive handbook of Japanese phonetics and phonology describing the basic phonetic and phonological structures of modern Japanese with main focus on standard Tokyo Japanese. Its primary goal is to provide a comprehensive overview and descriptive generalizations of major phonetic and phonological phenomena in modern Japanese by reviewing important studies in the fields over the past century. It also presents a summary of interesting questions that remain unsolved in the literature. The volume consists of eighteen chapters in addition to an introduction to the whole volume. In addition to providing descriptive generalizations of empirical phonetic/phonological facts, this volume also aims to give an overview of major phonological theories including, but not restricted to, traditional generative phonology, lexical phonology, prosodic morphology, intonational phonology, and the more recent Optimality Theory. It also touches on theories of speech perception and production. This book serves as a comprehensive guide to Japanese phonetics and phonology for all interested in linguistics and speech sciences.

James McCawley (1938-1999) was one of the most significant linguists of the latter half of the twentieth century. His legacy to a generation of linguists encompasses not only his work in phonology, syntax, semantics, pragmatics, and the philosophy of language but also his emphasis on bridging research in linguistics with that in other disciplines, from anthropology and psychology to physics and biology. This book, written by his former students—all now scholars in their own right—pays tribute to McCawley by pursuing questions about language that engaged him during his career. The variety of perspectives in these essays reflects McCawley's eclecticism as well his belief that what is important in scholarly work is not the analytic framework used but the insights reached. The book considers topics in phonology; syntax, with several essays on Indic languages (in which McCawley had a special interest) as well as one on African-American English; tense, aspect, and mood; semantics and pragmatics, with essays in these areas grouped together to reflect the intertwining of McCawley's work on these subjects; knowledge of language; and the treatment of language, with its implicit colonial biases, in the 11th edition of Encyclopedia Britannica.