Pompeii is currently enjoying an exciting phase of new research, enhanced by the application of rigorous modern archaeological techniques. This book brings together twelve papers which present some of the new approaches and research aims; all relate to issues of sequence and space, and aim to further understanding both the development of Pompeii and the dynamics of ancient urban society. The contributions are: Sequence and space in Pompeii: an introduction (Rick Jones and Sara E. Bon); Formation processes at Pompeii (Sara E. Bon); What was Pompeii before 200 BC? Excavations in the House of Joseph II and in the House of the Wedding of Hercules (Paolo Carafa); The context of the House of the Surgeon (Sara E. Bon); Investigating the vocabulary of the Roman house (Eleanor W. Leach); The Pompeii forum project 1994-95 (John J. Dobbins); New directions in economic and environmental research at Pompeii (Jane Richardson, Gill Thompson and Angelo Genovese); Pompeii AD 79: a population in flux? (Estelle Lager); Private toilets at Pompeii (Gemma Jansen); The social texture of Pompeii (Damian J. Robinson); Sequence and space at Pompeii: casual observations from an Etruscologist (Jane K. Whitehead); Concluding thoughts (Stephen L. Dyson).

The sudden destruction of Pompeii, Herculaneum and the surrounding Campanian countryside following the eruption of Vesuvius in AD 79 preserved the remarkable evidence that has made possible this reconstruction of the natural history of the local environment. Following the prototype of Pliny the Elder's Natural History, various aspects of the natural history of Pompeii are discussed and analyzed by a team of eminent scientists, many of whom have collaborated with Jashemski during her years of excavation of several gardens in the Vesuvian area. This volume brings together the work of geologists, soil specialists, paleobotanists, botanists, palaeontologists, biologists, chemists, dendrochronologists, ichthyologists, zoologists, ornithologists, mammalogists, herpetologists, entymologists, and archaeologists, affording a thorough picture of the landscape, flora, and fauna of the ancient sites. The detailed and rigorously scientific catalogues, which are copiously illustrated, provide a checklist of the flora and fauna upon which future generations of scholars can continue to build.

This book examines how Pompeian peristyle gardens were utilized to represent the socioeconomic status of Roman homeowners, introducing fresh perspectives on how these spaces were designed, used, and perceived. Pompeian Peristyle Gardens provides a novel understanding of how the domus was planned, utilized, and experienced through a critical examination of all Pompeian peristyles – not just by selecting a few well-known examples. This study critiques common scholarly assumptions of ancient domestic space, such as the top-down movement of ideas and the relationship between wealth and socio-political power, though these possibilities are not excluded. In addition, this book provides a welcome contribution to exploring the largely unexamined middle class, an integral part of ancient Roman society. Pompeian Peristyle Gardens is of interest to students and scholars in art history, classics, archaeology, social history, and other related fields.

Studies of Pompeian material culture have traditionally been dominated by art-historical approaches, but recently there has been a renewed and burgeoning interest in Pompeian houses for studies of Roman domestic behavior. This book is concerned with contextualized Pompeian household artifacts and their role in deepening our understanding of household behavior at Pompeii. It consists of a study of the contents of thirty so-called atrium houses in Pompeii to investigate the spatial distribution of household activities, both within each architectural room type and across the house. It also uses this material to investigate the state of occupancy of these houses at the time of the eruption of Mt Vesuvius in AD 79. It thus examines artifact assemblages within their spatial and decorative contexts for a more material cultural approach to these remains and for the information which they provide on living conditions in Pompeii during the last decades. In this it takes a critical perspective the textual nomenclature which is traditionally applied to Pompeian room types.

This pioneering collection engages with recent research in different areas of the archaeological discipline to bring together case-studies of the household material culture from later prehistoric and classical periods. The book provides a comprehensive and accessible study for students into the material records of past households, aiding wider understanding of our own domestic development.

The fully revised second edition of this successful volume includes updates on the latest archaeological research in all chapters, and two new essays on Greek and Roman art. It retains its unique, paired essay format, as well as key contributions from leading archaeologists and historians of the classical world. Second edition is updated and revised throughout, showcasing the latest research and fresh theoretical approaches in classical archaeology Includes brand new essays on ancient Greek and Roman art in a modern context Designed to encourage critical thinking about the interpretation of ancient material culture and the role of modern perceptions in shaping the study of art and archaeology Features paired essays – one covering the Greek world, the other, the Roman – to stimulate a dialogue not only between the two ancient cultures, but between scholars from different historiographic and methodological traditions Includes maps, chronologies, diagrams, photographs, and short editorial introductions to each chapter

One of the greatest benefits of studying the ancient Greek and Roman past is the ability to utilise different forms of evidence, in particular both written and archaeological sources. The contributors to this volume employ this evidence to examine ancient housing, and what might be learned of identities, families, and societies, but they also use it as a methodological locus from which to interrogate the complex relationship between different types of sources. Chapters range from the recreation of the house as it was conceived in Homeric poetry, to the decipherment of a painted Greek lekythos to build up a picture of household activities, to the conjuring of the sensorial experience of a house in Pompeii. Together, they present a rich tapestry which demonstrates what can be gained for our understanding of ancient housing from examining the interplay between the words of ancient texts and the walls of archaeological evidence.