This publication is engaged in issues, trends, and themes depicted on mosaic pavements discovered in Israel, the Gaza Strip and Petra (the provinces of ancient Palaestina Prima, Secunda and Tertia) with comparable floors in Jordan (Arabia). The majority of the mosaic pavements discussed in this study are dated to the 4th-8th centuries CE. Mosaic pavements were the normal medium for decorating the floors of synagogues, churches, monasteries, and chapels, as well as public and private buildings. Inscriptions found on many of the pavements commemorate the donors, refer to the artists, and sometimes date the mosaics. The ornamentation of the mosaics in this region is remarkable, rich, and varied in its themes and provides many insights into the contemporary artistic and social cultures.

Sepphoris was an important Galilean site from Hellenistic to early Islamic times. This multicultural city is described by Flavius Josephus as the “ornament of all Galilee,” and Rabbi Judah the Prince (ha-Nasi) codified the Mishnah there around 200 CE. The Duke University excavations of the 1980s and 1990s uncovered a large corpus of clay oil lamps in the domestic area of the western summit, and this volume presents these vessels. Richly illustrated with photos and drawings, it describes the various shape-types and includes a detailed catalog of 219 lamps. The volume also explores the origins of the Sepphoris lamps and establishes patterns of their trade, transport, and sale in the lower city’s marketplace. A unique contribution is the use of a combined petrographic and direct current plasma-optical emission spectrometric (dcp-oes) analysis of selected lamp fabrics from sites in Israel and Jordan. This process provided valuable information, indicating that lamps found in Sepphoris came from Judea, the Decapolis, and even Greece, suggesting an urban community fully engaged with other regional centers. Lamp decorations also provide information about the cosmopolitan culture of Sepphoris in antiquity. Discus lamps with erotic scenes and mythological characters suggest Greco-Roman influences, and menorahs portrayed on lamps indicate a vibrant Jewish identity.

This Handbook is a state-of-the-field volume containing diverse approaches to sensory experience, bringing to life in an innovative, remarkably vivid, and visceral way the lives of past humans through contributions that cover the chronological and geographical expanse of the ancient Near East. It comprises thirty-two chapters written by leading international contributors that look at the ways in which humans, through their senses, experienced their lives and the world around them in the ancient Near East, with coverage of Anatolia, Egypt, the Levant, Mesopotamia, Syria, and Persia, from the Neolithic through the Roman period. It is organised into six parts related to sensory contexts: Practice, production, and taskscape; Dress and the body; Ritualised practice and ceremonial spaces; Death and burial; Science, medicine, and aesthetics; and Languages and semantic fields. In addition to exploring what makes each sensory context unique, this organisation facilitates cross-cultural and cross-chronological, as well as cross-sensory and multisensory comparisons and discussions of sensory experiences in the ancient world. In so doing, the volume also enables considerations of senses beyond the five-sense model of Western philosophy (sight, hearing, touch, taste, and smell), including proprioception and interoception, and the phenomena of synaesthesia and kinaesthesia. The Routledge Handbook of the Senses in the Ancient Near East provides scholars and students within the field of ancient Near Eastern studies new perspectives on and conceptions of familiar spaces, places, and practices, as well as material culture and texts. It also allows scholars and students from adjacent fields such as Classics and Biblical Studies to engage with this material, and is a must-read for any scholar or student interested in or already engaged with the field of sensory studies in any period.