This collection of poems by the rock lyricist Robert Hunter, best known for his songwriting contributions to legendary performers such as Bob Dylan and The Grateful Dead, features rhythmic, philosophical meditations on art, authenticity, public perception, and love. Hunter delivers his lines with effective and deceptively simple language, the ideal vehicle for his timeless, wide-ranging observations about the relationships we have with our expectations, our mythology, and each other as we navigate modern life and ephemera.

John Ashbery's esteem for A. F. Moritz has been seconded repeatedly by critics and readers. Starting in 1975 with Here and continuing through the years to Moritz's latest, The Sentinel, this poet has carved an important career in poetry. This new collection has already begun garnering praise and awards: the title poem was honored by the prestigious Poetry magazine. These poems, exploring everything from vanishing civilizations to nature's mysteries, display Moritz’s intelligence and insight blended with a supple craft and wordplay that have made his work unique in the field.

Alex Dimitrov’s third book, Love and Other Poems, is full of praise for the world we live in. Taking time as an overarching structure—specifically, the twelve months of the year—Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is “our best invention.” Dimitrov doesn’t resist joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.

A WASHINGTON POST BEST POETRY COLLECTION OF 2020 A new collection from a poet whose books "are an amazing experience: harrowing, ravishing, essential, unstoppable" (Louise Glück) Joanna Klink's fifth book begins with poems of personal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection.