A profound and perceptive fourth collection of poetry explores the themes of science, popular culture, feminism, gender roles, stereotypes, and social institutions. Reprint.

John Horton Conway's unique approach to quadratic forms was the subject of the Hedrick Lectures that he gave in August of 1991 at the Joint Meetings of the Mathematical Association of America and the American Mathematical Society in Orono, Maine. This book presents the substance of those lectures. The book should not be thought of as a serious textbook on the theory of quadratic forms. It consists rather of a number of essays on particular aspects of quadratic forms that have interested the author. The lectures are self-contained and will be accessible to the generally informed reader who has no particular background in quadratic form theory. The minor exceptions should not interrupt the flow of ideas. The afterthoughts to the lectures contain discussion of related matters that occasionally presuppose greater knowledge.

Quadratic forms are presented in a pictorial way, elucidating many topics in algebra, number theory and geometry.

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The award-winning novel of a young American girl in France—hailed as “an impressive debut” that is “written with quiet, lyric forcefulness” (Elle). A New York Times Notable Book Young, inexperienced, and fleeing a terrible personal loss, Rosie—the new au pair to the Tivot family estate in France—finds herself ill at ease when trying to connect with Nicole, the cool, distant, and beautifully polished mother of the three children she cares for. There is something about the woman that both fascinates and unnerves Rosie. The same is true of the rest of the Tivot clan. Nicole’s dissatisfied husband, Marc, and their children all seem to be caught in an unending struggle against each other for love and acceptance. Only when Rosie is sent to care for Nicole’s now-elderly guardian—the storyteller of the family’s secrets—does she finally discover the truth. There, Rosie will learn of a past darkened by war, duplicity, and a tragedy that still resonates in the Tivot’s lives . . . With this novel of family, betrayal, and the naïveté of youth, Lily King has spun a story that is “powerful . . . splendid . . . [and all] so assured that it’s hard to believe the book itself is her debut” (The New York Times Book Review). “Expertly constructed, full of surprises, superbly paced and sweetly sad, King’s book hardly reads like a first novel.” —Publishers Weekly

Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. This volume in the series “Imagine Math” casts light on what is new and interesting in the relationships between mathematics, imagination and culture. The book opens by examining the connections between modern and contemporary art and mathematics, including Linda D. Henderson’s contribution. Several further papers are devoted to mathematical models and their influence on modern and contemporary art, including the work of Henry Moore and Hiroshi Sugimoto. Among the many other interesting contributions are an homage to Benoît Mandelbrot with reference to the exhibition held in New York in 2013 and the thoughts of Jean-Pierre Bourguignon on the art and math exhibition at the Fondation Cartier in Paris. An interesting part is dedicated to the connections between math, computer science and theatre with the papers by C. Bardainne and A. Mondot. The topics are treated in a way that is rigorous but captivating, detailed but very evocative. This is an all-embracing look at the world of mathematics and culture.