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Selfhood and Sacrifice is an original exploration of the ideas of two major contemporary thinkers.

Suicide in the forms of martyrdom, self-sacrifice, or self-immolation is perennially controversial: Should it rightly be termed suicide? Does religion sanction it? Should it be celebrated or anathematized? At least some idealization of such self-chosen deaths is found in every religious tradition treated in this volume, from ascetic heroes who conquer their passions to save others by dying, to righteous warriors who suffer and die valiantly while challenging the status quo. At the same time, there are persistent disputes about the concepts used to justify these deaths, such as altruism, heroism, and religion itself. In this volume, renowned scholars bring their literary and historical expertise to bear on the contested issue of religiously sanctioned suicide. Three examine contemporary movements with disputed classical roots, while eleven look at classical religious literatures which variously laud and disparage figures who invite self-harm to the point of death. Overall, the volume offers an important scholarly corrective to the axiom that religious traditions simply and always embrace life at any cost.

Slaying the Mermaid addresses the great numbers of women of all ages who find themselves constantly disregarding their own well-being to put the needs of others first. Drawing on the experiences of a diverse array of women, Stephanie Golden examines the dichotomy between selfhood and sacrifice, enabling women to become conscious of self-defeating behavior. Using the image of Hans Christian Andersen's Little Mermaid, the ultimate ideal of the self-sacrificing woman, Golden offers a new paradigm: in order to run with the wolves, you must first slay the mermaid. Slaying the Mermaid uncovers the mythic and archetypal roots of the need felt by women to sacrifice their personal potential for the good of others. This book will help women reclaim their energy, creativity, and identity, while rediscovering the original, empowering meaning of sacrifice as an expansive and self-fulfilling act.

Sacrifice Imagined is an original exploration of the idea of sacrifice by one of the world's preeminent philosophers of religion. Despisers of religion have poured scorn upon the idea of sacrifice as an index of the irrational and wicked in religious practice. Nor does its secularised form seem much more appealing. One need only think of the appalling cult of sacrifice in numerous totalitarian regimes of the twentieth century. Yet sacrifice remains a part of our cultural and intellectual 'imaginary'. Hedley proposes good reasons to think that issues of global conflict and the ecological crisis highlight the continuing relevance of the topic of sacrifice for contemporary culture. The subject of sacrifice has been decisively influenced by two books: Girard's The Violence and the Sacred and Burkert's Homo Necans. Both of these are theories of sacrifice as violence. Hedley's book challenges both of these highly influential theories and presents a theory of sacrifice as renunciation of the will. His guiding influences in this are the much misunderstood Joseph de Maistre and the Cambridge Platonists.

Sacrifice has always been central to the study of religion yet attempts to understand and assess the concept have usually been controversial. The present book, which is the result of several years of interdisciplinary collaboration, suggests that in many ways the fascination with sacrifice has its roots in modernity itself. Theological developments following the Reformation, the rediscovery of Greek tragedies, and the encounter with the practice of human sacrifice in the Americas triggered a complex and passionate debate in the sixteenth century which has never since abated. Contributors to this volume, leading experts from theology, anthropology, and literary and cultural studies, describe and discuss how this modern fascination for the topic of sacrifice has evolved, how it has shaped theological debate, the literary imagination, and anthropological theory. Individual chapters discuss in depth major theological trajectories, theories of sacrifice including those of Marcel Mauss and René Girard, and current feminist criticism. They engage with sacrifice in the context of religious and philosophical thought, works of literature and film. They explore different yet overlapping aspects of modernity's obsession with sacrifice. The book does not intend to impose a single narrative over all these diverse contributions but brings them into a conversation around a common centre.