The Problem of the Future World is a compelling reassessment of the later writings of the iconic African American activist and intellectual W. E. B. Du Bois. As Eric Porter points out, despite the outpouring of scholarship devoted to Du Bois, the broad range of writing he produced during the 1940s and early 1950s has not been thoroughly examined in its historical context, nor has sufficient attention been paid to the theoretical interventions he made during those years. Porter locates Du Bois’s later work in relation to what he calls “the first postracial moment.” He suggests that Du Bois’s midcentury writings are so distinctive and so relevant for contemporary scholarship because they were attuned to the shape-shifting character of modern racism, and in particular to the ways that discredited racial taxonomies remained embedded and in force in existing political-economic arrangements at both the local and global levels. Porter moves the conversation about Du Bois and race forward by building on existing work about the theorist, systematically examining his later writings, and looking at them from new perspectives, partly by drawing on recent scholarship on race, neoliberalism, and empire. The Problem of the Future World shows how Du Bois’s later writings help to address race and racism as protean, global phenomena in the present.

In looking back on his editorship of Crisis magazine, W. E. B. Du Bois said, “We condensed more news about Negroes and their problems in a month than most colored papers before this had published in a year.” Since its founding by Du Bois in 1910, Crisis has been the primary published voice of the NAACP. Born in an age of Jim Crow racism, often strapped for funds, the magazine struggled and endured, all the while providing a forum for people of color to document their inherent dignity and proclaim their definitive worth as human beings. As the magazine’s editor from 1910 until 1934, Du Bois guided the content and the aim of Crisis with a decisive hand. He ensured that each issue argued for civil rights, economic justice, and social equality, always framing America’s intractable color line in an international perspective. Du Bois benefited from a deep pool of black literary and artistic genius, whether by commissioning the visual creativity of Harlem Renaissance artists for Crisis covers or by publishing poems and short stories from New Negro writers. From North to South, from East to West, and even reaching across the globe, Crisis circulated its ideas and marshaled its impact far and wide. Building on the solid foundation Du Bois laid, subsequent editors and contributors covered issues vital to communities of color, such as access to resources during the New Deal era, educational opportunities related to the historic Brown decision, the realization of basic civil rights at midcentury, American aid to Africa and Caribbean nations, and the persistent economic inequalities of today’s global era. Despite its importance, little has been written about the historical and cultural significance of this seminal magazine. By exploring how Crisis responded to critical issues, the essays in Protest and Propaganda provide the first well-rounded, in-depth look at the magazine's role and influence. The authors show how the essays, columns, and visuals published in Crisis changed conversations, perceptions, and even laws in the United States, thereby calling a fractured nation to more fully live up to its democratic creed. They explain how the magazine survived tremendous odds, document how the voices of justice rose above the clamor of injustice, and demonstrate how relevant such literary, journalistic, and artistic postures remain in a twenty-first-century world still in crisis.

W. E. B. Du Bois, 1919-1963, the second volume of the Pulitzer Prize--winning biography that The Washington Post hailed as "an engrossing masterpiece" Charismatic, singularly determined, and controversial, W.E.B. Du Bois was a historian, novelist, editor, sociologist, founder of the NAACP, advocate of women's rights, and the premier architect of the Civil Rights movement. His hypnotic voice thunders out of David Levering Lewis's monumental biography like a locomotive under full steam. This second volume of what is already a classic work begins with the triumphal return from WWI of African American veterans to the shattering reality of racism and lynching even as America discovers the New Negro of literature and art. In stunning detail, Lewis chronicles the little-known political agenda behind the Harlem Renaissance and Du Bois's relentless fight for equality and justice, including his steadfast refusal to allow whites to interpret the aspirations of black America. Seared by the rejection of terrified liberals and the black bourgeoisie during the Communist witch-hunts, Du Bois ended his days in uncompromising exile in newly independent Ghana. In re-creating the turbulent times in which he lived and fought, Lewis restores the inspiring and famed Du Bois to his central place in American history.

'Marable's biography of Du Bois is the best so far available.' Dr. Herbert Aptheker, Editor, The Correspondence of W.E.B. Du Bois 'Marable's excellent study focuses on the social thought of a major black American thinker who exhibited a 'basic coherence and unity' throughout a multifaceted career stressing cultural pluralism, opposition to social inequality, and black pride.' Library Journal Distinguished historian and social activist Manning Marable's book, W. E. B. Du Bois: Black Radical Democrat, brings out the interconnections, unity, and consistency of W. E. B. Du Bois's life and writings. Marable covers Du Bois's disputes with Booker T. Washington, his founding of the NAACP, his work as a social scientist, his life as a popular figure, and his involvement in politics, placing them into the context of Du Bois's views on black pride, equality, and cultural diversity. Marable stresses that, as a radical democrat, Du Bois viewed the problems of racism as intimately connected with capitalism. The publication of this updated edition follows more than one hundred celebrations recently marking the 100th anniversary of Du Bois's The Souls of Black Folk. Marable broadens earlier biographies with a new introduction highlighting Du Bois's less-known advocacy of women's suffrage, socialism, and peace and he traces his legacy to today in an era of changing racial and social conditions.

Du Bois's Dialectics is doubly distinguished from other books on Du Bois because it is the first extended exploration of Du Bois's contributions to new critical theory and the first book-length treatment of his contributions to contemporary black radical politics and the developing discipline of Africana Studies. With chapters that undertake ideological critiques of education, religion, the politics of reparations, and the problematics of black radical politics in contemporary culture and society, Du Bois's Dialectics employs Du Bois as its critical theoretical point of departure and demonstrates his (and Africana Studies') contributions to, as well as contemporary critical theory's connections to, critical pedagogy, sociology of religion, and reparations theory. Rabaka offers the first critical theoretical treatment of the W. E. B. Du Bois_Booker T. Washington debate, which lucidly highlights Du Bois's transition from a bourgeois black liberal to a black radical and revolutionary democratic socialist. This book is primarily directed at scholars, advanced undergraduate and graduate students working in and associated with Africana Studies, American Studies, Ethnic Studies, and Cultural Studies.

The two-time Pulitzer Prize–winning biography of W. E. B. Du Bois from renowned scholar David Levering Lewis, now in one condensed and updated volume William Edward Burghardt Du Bois—the premier architect of the civil rights movement in America—was a towering and controversial personality, a fiercely proud individual blessed with the language of the poet and the impatience of the agitator. Now, David Levering Lewis has carved one volume out of his superlative two-volume biography of this monumental figure that set the standard for historical scholarship on this era. In his magisterial prose, Lewis chronicles Du Bois's long and storied career, detailing the momentous contributions to our national character that still echo today. W.E.B. Du Bois is a 1993 and 2000 National Book Award Finalist for Nonfiction and the winner of the 1994 and 2001 Pulitzer Prize for Biography.

Afrocentricity is a philosophical and theoretical perspective that emphasizes the study of Africans as subjects, not as objects, and is opposed to perspectives that attempt to marginalize African thought and experience. Afrocentricity became popular in the l980s as scores of African American and African scholars adopted an Afrocentric orientation to information. The editor of this collection argues that as scholars embark upon the 21st century, they can no longer be myopic in their perceptions and analyses of race. The seventeen essays examine a wide range of variations on the Afrocentric paradigm in the areas of history, literature, political science, philosophy, economics, women's studies, cultural studies, ethnic studies and social policy. The essays, written by professors, librarians, students and others in higher education who have embraced the Afrocentric perspective, are divided into four sections: "Pedagogy and Implementation," "Theoretical Assessment," "Critical Analysis," and "Pan Africanist Thought."