Musicians have long treasured the Mozart sonatas for their symmetry and perfection. This volume presents single movements as well as complete sonatas (K. 282, 283, 545 and 570) for study by the advancing pianist. The sonatas provide ample opportunity for developing control, technical facility, a singing style, and balance and voicing. The preface gives Dr. Hinson's helpful suggestions on pedaling, ornamentation, articulation and dynamics, as well as a suggested order of study. Careful editing allows the teacher and student to make informed choices in interpreting these masterpieces.

In Beethoven's 32 Piano Sonatas, renowned performer and pedagogue Stewart Gordon addresses textual issues, Beethoven's pianos, performance practices, composer's indications, and the composer's development, pointing to patterns of structure, sonority, keyboard technique, and emotional meaning. In addition, each sonata appears in a helpful outline-chart format for easy-access reference.

These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.

These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.

Piano Collection

Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.

Featuring authentic keyboard pieces exclusively from the Classical Period, this collection serves as an excellent introduction to classical keyboard literature for late-elementary to early-intermediate level performers. Well-placed fingerings, minimal dynamic markings, suggested realizations of ornaments in footnotes, limited articulations, and well-spaced engraving make this an ideal transitional book to introduce students to standard repertory. Outstanding literature selected for its quality and accessibility include: Allego, K.3 (Mozart) * Country Dance in D (Beethoven) * Ecossaise, WoO23 (Beethoven) * German Dance in A, WoO 42 (Beethoven) * German Dance in D (Haydn) * German Dance in E (Haydn) * Gigue (Arnold) * Little Dance and Rondo (Turk) * Melody and Sonatina Op. 168, No. 2 (Diabelli) * Menuett K.1, K. 2, and K. 6 (Mozart) * Minuet in G (Haydn) * Two Minuets (L. Mozart) * Minuetto (Hook) * Sonatina in C (Duncombe) * Sonatina in C (Haslinger).