Excerpt from Selected Relics of Japanese Art, Vol. 15 In each of the six panels there was depicted a beautiful lady standing under a tree the locks of her hair and her garments were done with feathers, but the feathers have mostly been torn off and now but little trace of them is to be seen save outlines. Some time ago, when repairing these screens, a paper was found inside of one which contained, in writing, the date 26th day, 6th month. 4th year of tempyo-shoho (august loth. From this, it is to be understood that these panels were made at some time between the 4th and the 8th years of tempyo-shoho. The faces and hands of the persons were painted in c010urs, but wherever feathers had been irsed for decorative purpose, there is nothing now but simple lines. It is probable that the trees and rocks were done in monochrome from the very first. We may distinctly trace the brushwork of these pictures. And hence get a good idea of the character of pictorial art at that time! Although it was in an undeveloped state, we are led to suppose, from the method of depicting the complex character of trees and rocks, that probably they were copied from natural obiects: while the manner of representing the fissures in the rocks, suggests the influence of landscape artists of the T'ang dynasty, China. The lady playing with a jewel-shaped ball under a tree, shows the costume of the time: in this respect, it resembles the picture of Suri-devi, reproduced in the second volume of this series, and it is to be supposed that her face shows the ideal type of female beauty during the Nara era: from the suggestion of rouge on the flee, the thin black lines of the artificial high-eyebrows, the garments, and the style of dressing the hair, we get many an interesting glimpse at the customs of that remote time. Besides this: in the catalogue, the screen is described as being made with feathers, with some square Chinese ideographs on the folding-panels, and some Chinese literary compositions, all of the same material. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Selected Relics of Japanese Art, Vol. 19 XXVIII. Cock and Hen - two plates XXIX. The Loss of Meng Chié's' XXX. Flowers and Birds (wood - gut). About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Selected Relics of Japanese Art, Vol. 13 XXIV. Landscape: Wild Geese - two plates (collotype) XXV. Waterfall (collotype) XXVI. A Hundred Demons Wandering About at Night - _two plaiesofigtxpes) XXVII. Origin of Kitano Shrine -c r.. E a va., XXVIII, Bamboos and a C'r'ane (collotype) XXIX, Pine Woods - two plates (collotypes) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Selected Relics of Japanese Art, Vol. 9 XV. Landscapes - two plates (collotype) Said [0 be by Ma Kuez' XVI. Han-shan and Shih-te Said 10 be by I'm Hui XVII. Monkeys - two plates (collotype) Sat'd lo be by Mokuan. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Selected Relics of Japanese Art, Vol. 10 Panoramic 'pictures' of Niraya - two plates (collotype) Vanavasis an Arhat (collotype) Wooden Images of Génbo and jplo-j - twp plates (conga/m) Panoramic History ol'the-iheiji'lperiod - two plates (collotype) Bodhi-dharm'a in a.re'd Robe; (wood-cut) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Selected Relics of Japanese Art, Vol. 17 In our further research, we came across an account by Prince Sanetaka Sam-6 (died 1537) from his diary, under date of l6th day, 3rd month. 8th year of Taiyei (1528) Looked over the Sutra of Causal Events (illustrated) and written by the Imperial hand of Emperor Shému: a very rare and valuable one, I thought it. The fasciculus in the Fine Art School retains the print ofa seal, which is still legible, thus: Treasure handed down in Kofukuji. Thinking from these facts that this manuscript was once possessed by the temple, K6fuku11, Nara, and in the periods Taiyei and Kyérokn (l52l - l53l) it was so much esteemed among the nobility that it was secured by the Nakayama family, we suspected that the fourth section, perhaps, would have been deposited about that time. The former half ofthe fourth section must have been lost after it was withdrawn from Nan-in, and before the latter half was recovered and came into the possession of the Art School. Some careful research may, perhaps, cause this to appear again to us. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Selected Relics of Japanese Art, Vol. 6 In the Kondo of Horiuii, which was cast in 607 and those of S'akyamuni and his two attendants made by Tori in 623 (see vol. Sixty years of difi'erence in the date of origin is next to nothing in the case of a work of art more than a thousand years old and it is almost impossible, even for an able expert, to discern the priority of the two simply from the style and skill in casting. The thin body and the face, and the strange form of the sleaves are somewhat in the style of Tori, and so we must not be too rash in assigning it to a later date than Tori himself, for we can never know whether these peculiarities are of Korean art or due to Indian influence. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.