Presents a selection of poems by American modernist poet Amy Lowell.

Amy Lowell (1874-1925), American poet and critic, was one of the most influential and best-known writers of her era. Within a thirteen-year period, she produced six volumes of poetry, two volumes of criticism, a two-volume biography of John Keats, and countless articles and reviews that appeared in many popular periodicals. As a herald of the New Poetry, Lowell saw herself and her kind of work as a part of a newly forged, diverse, American people that registered its consciousness in different tonalities but all in a native idiom. She helped build the road leading to the later works of Allen Ginsberg, May Sarton, Sylvia Plath, and beyond. Except for the few poems that invariably appear in American literature anthologies, most of her writings are out of print. This will be the first volume of her work to appear in decades, and the depth, range, and surprising sensuality of her poems will be a revelation. The poetry is organized according to Lowell's characteristic forms, from traditional to experimental. In each section the works appear in chronological order. Section one contains sonnets and other traditional verse forms. The next section covers her translations and adaptations of Chinese and Japanese poetry, whereby she beautifully renders the spirit of these works. Also included here are several of Lowell's own Asian-influenced poems. Lowell's free, or cadenced verse appears in the third part. The last section provides samples of Lowell's polyphonic prose, an ambitious and vigorous art form that employs all of the resources of poetry. The release of The Selected Poems of Amy Lowell will be a major event for readers who have not been able to find a representative sampling of work from this vigorous, courageous poet who gave voice to an erotic, thoroughly American sensibility.

A collection of the works of American poet Amy Lowell.

Bradshaw uses theories of the diva and female celebrity to account for Lowell's extraordinary literary influence in the early twentieth century and the dismissal of her work after her death. Drawing on a rich array of letters, memoirs, newspapers and periodicals, but eschewing the biographical interpretations of her poetry that have often characterized criticism on Lowell, Bradshaw restores Lowell to her rightful place as a powerful writer and impresario of modernist verse.

Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. In this volume we look at the works of the American poet Amy Lowell. She was born into the prominent Lowell family in Brookline Massachusetts in 1874. Although her brother was to become President of Harvard she never entered college, her family considering it not proper for a woman. However she loved books and was an avid reader and collector. A socialite she travelled widely and first began to publish in 1910. Thought to be a lesbian the erotic themes within several of her poems are a wonderful loving tribute to that side of her. She published other poets and was working on a biography of the poet John Keats which brought forth the wonderful line "The stigma of oddness is the price a myopic world always exacts of genius. In becoming a major figure in the Imagist movement she clashed with Erza Pound frequently. In 1925 she died of a cerebral haemorrhage at the age of 51. The following year, she won the Pulitzer Prize for Poetry for What's O'Clock. Many samples are at our youtube channel http: //www.youtube.com/user/PortablePoetry?feature=mhee The full volume can be purchased from iTunes, Amazon and other digital stores. Among our readers are Richard Mitchley and Ghizela Rowe