Edmund Spenser, Selected Letters and Other Papers provides the first published text of the diplomatic and personal papers written, copied, and handled by Spenser during his years of secretarial service and colonial planting in Ireland, 1580-1589. These manuscript letters and papers represent a rich resource for the study of Spenser's poetry and prose - particularly his allegorical epic The Faerie Queene (1590, 1596) and his study of Irish culture and government, A view of the present state of Ireland (1596) - giving unparalleled insight into the day-to-day administration of the New English government in Ireland, in both Dublin and Munster, during a time of constant war, diplomacy, social engineering, espionage, and plantation. In a generous introduction, Burlinson and Zurcher situate Spenser's Irish secretarial experience in its political and military contexts, survey the conditions and constraints of early modern secretaryship, and draw out the importance of the letters to the studies of Spenser's verse and prose. The selection (constituting about half of Spenser's known surviving papers) is fully annotated throughout with both textual and interpretative notes, which explain the dense and complex historical reference of the documents, and point readers toward further reading in both manuscript and printed sources. The volume also includes illustrations from several of Spenser's manuscripts, as well as an extensive set of appendices including biographical essays on Spenser's associates, a chronology, maps, and other materials.

The first published text of the diplomatic and personal papers written, copied, and handled by the poet Edmund Spenser during his years of secretarial service and colonial planting in Ireland, 1580-1589. They are presented here with a generous introduction, illustrations, notes and appendices.

Selected letters and nonfiction of one of America’s most beloved writers “reveals the occasionally softer side of the man behind the hard-boiled mysteries” (Library Journal). The Raymond Chandler Papers brings together the correspondence and other previously uncollected writing of America’s undisputed master of crime fiction and creator of the iconic private eye Philip Marlowe, revealing all aspects of the great artist’s powerful personality and broad intellectual curiosity. Featuring a selection of Chandler’s previously unpublished early writings—including a gripping piece about his combat experiences in World War I—and an abandoned profile of the infamous mobster “Lucky” Luciano, The Raymond Chandler Papers is a must-have for all true fans and an important contribution toward understanding the life and work of the enigmatic man Evelyn Waugh called “the greatest living American novelist.” “Since this is Chandler’s writing, quotable, funny, even hilarious comments appear on every page.” —Publishers Weekly

One of the great Christian scholars of antiquity and a high-ranking public official under Theoderic, King of the Ostrogoths, Cassiodorus compiled edicts, diplomatic letters, and legal documents while in office. The collection of his writings, the Variae, remains among the most important sources for the sixth century, the period during which late antiquity transitioned to the early middle ages. Translated and selected by scholar M. Shane Bjornlie, The Selected Letters gathers the most interesting evidence from the Veriae for understanding the political culture, legal structure, intellectual and religious worldviews, and social evolution during the twilight of the late-Roman state. Bjornlie’s invaluable introduction discusses Cassiodorus’s work in civil, legal, and financial administration, revealing his interactions with emperors, kings, bishops, military commanders, private citizens, and even criminals. Section notes introduce each letter to contextualize its themes and connection with other letters, opening a window to Cassiodorus’s world.

Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. This collection captures the frank eroticism and impressive eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology. As an "honored courtesan", Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast "virtue" as "intellectual integrity," offering wit and refinement in return for patronage and a place in public life. Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today.