Takes readers on a journey through the free-energy research underground and the secret traditions of Occult Technology, focusing on the inventions of John Worrell Keely, the world's free-energy pioneer.

In American Little Magazines of the Fin de Siecle, Kirsten MacLeod examines the rise of a new print media form – the little magazine – and its relationship to the transformation of American cultural life at the turn of the twentieth century. Though the little magazine has long been regarded as the preserve of modernist avant-gardes and elite artistic coteries, for whom it served as a form of resistance to mass media, MacLeod’s detailed study of its origins paints a different picture. Combining cultural, textual, literary, and media studies criticism, MacLeod demonstrates how the little magazine was deeply connected to the artistic, social, political, and cultural interests of a rising professional-managerial class. She offers a richly contextualized analysis of the little magazine’s position in the broader media landscape: namely, its relationship to old and new media, including pre-industrial print forms, newspapers, mass-market magazines, fine press books, and posters. MacLeod’s study challenges conventional understandings of the little magazine as a genre and emphasizes the power of “little” media in a mass-market context.

Completing J. North Conway’s widely acclaimed trilogy of Gilded Age New York City Crime—following King of Heists and The Big Policeman—Bag of Bones combines the era’s affluence, decadence, and corruption with a gruesome deed fit for the tabloids of today. In 1878, the body of multi-millionaire A. T. Stewart was stolen from St. Mark’s Churchyard. The ghoulish crime, the chase for the culprits, the years-long ransom negotiations, and the demise of the Stewart retail empire fed a media frenzy. When the widow Stewart eventually exchanged $20,000 for a burlap bag of bones on a country road, not everyone was convinced that the remains were truly those of “The Merchant Prince of Manhattan,” the department store pioneer who had risen from the flood of Irish immigration to a place alongside names like Astor, Vanderbilt, and Rockefeller. As Bag of Bones details the futile tactics used by police to identify the grave robbers, it also unveils the villainy of Judge Henry Hilton, the Stewart family advisor who not only interfered in the case repeatedly but also dismantled a once-great business empire . . . all the while profiting quite nicely. By the end of this fascinating slice of history, one is left to wonder who displayed the greater evil: the grave robbers or Judge Hilton.