Prolonged violence in the Horn of Africa, the northeastern corner of the continent, has led growing numbers of Ethiopians, Eritreans, and Somalis to flee to the United States. Despite the enmity created by centuries of conflict, they often find themselves living as neighbors in their adopted cities, with their children as class-mates in school. In many ways, they are successfully navigating life in their new home; however, they continue to struggle to bridge old ethnic divisions and find salaam, or peace, with one another. News from home fuels historical grievances and perpetuates tensions within their communities, delaying acculturation, undermining attempts at reconciliation, and sabotaging the opportunity to reach the American Dream. In conversations with forty East African immigrants living in Seattle, Washington, and Portland, Oregon, Sandra Chait captures the immigrants' struggle for identity in the face of competing stories and documents how some individuals have been able to transcend the ghosts from the past and extend a tentative hand to their former enemies.

"In Sentinel Musicians of the Ethiopian American Diaspora, Kay Kaufman Shelemay shares more than forty years of research among Ethiopian musicians in the midst of a widespread and evolving diaspora. Beginning on the eve of the Ethiopian revolution in 1974 all the way up to the present day, Shelemay follows musicians as some leave Ethiopia for the US, setting up essential networks of support in cities such as New York, Boston, and Washington, DC. Throughout this profound transition, Shelemay shows how Ethiopian musicians serve a critical function in social and political life by both safeguarding community identity and challenging authority within Ethiopian society. She coins the term "sentinel musicians" to express musicians' double capacity to guard culture and guide it through periods of change, transforming the world around them under political pressures and during times of extreme social stress. While musicians held this role in Ethiopian culture long before the revolution began, it has taken on new meanings and contours in the Ethiopian diaspora. Some sentinel musicians have quite literally led the way as they migrated to new locales, establishing transnational networks, founding new institutions, and undertaking numerous initiatives in community building. Ultimately, Shelemay shows that musicians are uniquely positioned to serve this sentinel role as guardians and challengers of cultural heritage"--

Lavanya Shanbhogue-Arvind is the winner of the Commonwealth Short Story Special Prize (2011). Her short story, ‘The Crystal Snuff Box and the Pappudum’, was adapted for radio by the Commonwealth Broadcasting Association and was broadcast in all the Commonwealth countries. Other short pieces include ‘Those You Cannot See’ that appeared in the Griffith Review, Australia, ‘Blueprint’ that appeared in Blink, the year-end fiction edition of the Hindu Business Line and ‘The Idiot’s Guide to the Indian Arranged Marriage’ that appeared in an anthology of New Asian Short Stories being published by Silverfish Books, Malaysia. Apart from a master’s degree in Business, she holds a master’s degree in Creative Writing (Fiction) from the City University of Hong Kong. She is currently pursuing her master’s degree in Women’s Studies from the Tata Institute of Social Science, Mumbai and is working on her second novel. She lives in Mumbai with her banker husband Arvind Narayana.

Prepared by renowned Howard scholar Paul Herman with the assistance of Glenn Lord, this is the first new bibliography of Robert E. Howard since 1976. This massive volume contains more than twice as much information as the preceding biblio, The Last Celt. Robert E. Howard is considered the Godfather of Sword and Sorcery, and the creator of the international icon, Conan the Cimmerian, yet wrote successfully in numerous genres. The Neverending Hunt lists every story, poem, letter and publication in which a Howard work has appeared. It's more than you might think . . .

The fifty-two chapters (not counting five appendices) that make up the main body of this book encompass lectures, articles, and letters/e-mails written over a period of about eleven years (from about 1998 through 2009). The material covers a variety of thematic topics both within Islam, in general, as well as in relation to its mystical dimension of tasawwuf - known in the West as 'the Sufi path' or 'sufism' - in particular. Taken collectively, the chapters and appendices provide a very good introduction to both the Sufi path and Islam.