Provides a unique, philosophical interpretation of a significant twentieth-century painter - Wassily Kandinsky.

An interactive journey to discover your true identity as a child of the King. Seeing the Invisible is a reflective devotional that invites you to embark on a three-dimensional encounter with the majesty of Gods passion, the power of His presence, and the revelation of your purpose as a son or daughter of God. The tangible reality of who our Father is will cause the most resistant to release the binding shackles of mere humanity and begin to experience the wonders of being His son. Based upon the writings and personal journey of the late Donald F. Nori Sr., founder of Destiny Image Publishers, Seeing the Invisible is an invitation to go deeper in your relationship with the Lord. Through 90 reflective entries, daily challenges, scriptures for meditation and growth, and space for responsive journaling, Don shares rhema words from Heaven, gained in the crucible of life. Prepare to be comforted and challenged, as you go deeper in your walk with the Father.

Everything done by Dr. Roberts has the personal touch of his great love and care for God's people. Now, in the sunset of a life that has touched millions around the world, he passionately reveals the truths that have altered his life and awakened the church. From the presence of the invisible God, he brings to you the hidden keys that will unlock God's power as it releases His compassion.

The content of the book reconsiders the relation between visibility and transcendence. The focus is especially on the contribution to this issue from the theological tradition in protestant Europe between the 16th and the 21st Centuries. In the book a thematically broad field is covered embracing more than five centuries and a plurality of methods drawn from theology, philosophy, and the history and theory of art.The book is divided into five sub-themes: In the first and more fundamental part, 'The phenomenology of in-visibility', questions underlying the other four themes are sought defined or narrowed down. Here the modes of appearing/revealing or hiding of phenomena are reflected. In the second section of the book dealing with 'Language as a mode of revealing and hiding' the specific role of verbal expressions understood in a very broad sense is at the core: What is the fundamental understanding and use of language, when speaking of the ineffable? The third section about 'Human existence between visibility and invisibility' focuses on theological anthropology: its features and norms. The ambiguity of anthropological categories such as faith, rationality, imagination, memory and emotion play a prominent role in this context.Thefourth section concerning 'The manifestation of a 'beyond' in the arts' investigates transcendence in the arts. What are the theological discourses behind the religious uses of the different artistic media (i.e. images, music, liturgical inventory, architecture)? Finally in the fifth section concerning 'Visible community and invisible transcendence' one finds contributions working with the idea of 'vicarious representation'.

The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness--whether artist, historian, scientist, government official, or ordinary citizen--has become empowered in realms from art to politics. In Seeing Witness, Jane Blocker challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique.

This study provides an overview of philosophical questions relating to sight and vision. It discusses the intertwinement of seeing and ways of seeing against the background of an entirely different theoretical framework. Seeing is both a proven means of acquiring information and a personality-specific way of disclosing the apparent, perceptible world, conditioned by individual and cultural variations. In a peculiar way, the eye holds a middle position between inside and outside of the self and its relations towards itself and others. This book provides a way out of false alternatives by offering a third way with reference to concrete cases of aesthetical and ethical experiences. It will be of particular interest to scholars of the phenomenology and philosophy of perception and it will be valuable to students of philosophy, cultural studies and art.

Ings' work delves into both the evolution of sight and the evolution of the human understanding of sight. The book presents the natural science, while also addressing the history, philosophy, and mythology of how and why people see the way they do. Illustrations throughout.