"Every day is a fresh invitation to step behind the veil and encounter the Holy Spirit in a new way. In this unique supernatural experience, seer, prophet, and missionary, Ana Werner shares insights she has received through prophetic encounters, angelic visitations, and supernatural visions."--Page 4 of cover

Many in the Church are waiting with expectation for the second coming of Christ. The parable of the wedding feast in Matthew 22 tells us that the Church, the Bride, was invited to the wedding but didn’t come. In 2 Thessalonians, Paul warns that the second coming would be preceded by a “great falling away” and Matthew 24 says that if these days were not cut short then even the elect could be deceived. With thousands of Christian denominations preaching a different gospel, let us examine Scripture from the earliest perspective, which is that of the Early Church. The Early Church Fathers were the spiritual sons of the apostles, who learned directly from Jesus. They tell us what the end would be like and unlock the deeper meanings of Scripture. While many today are waiting to be “raptured,” these apostolic men believed that the glory of God would first manifest in His Church. The apocalypse, often misunderstood to mean the end of the world, is simply two Greek words put together: apo (to destroy) and kalypto (the veil). The Book of Revelation is about destroying the veil to enter back into the glory of God. These revelatory teachings were passed down and preserved for hundreds of years, yet for the most part the opposite is being taught in the body of Christ today. Jesus tells us in Matthew 17 that “Elijah is coming and will restore all things.” This Elijah spirit is upon us now to make the way straight through revelatory teaching of Scripture and to bring the fear of the Lord back to wake up the sleeping Church while there’s still time. The Early Church taught that without Elijah preparing and sealing the Church not one would be saved. At the same time, under the leadership of the Catholic Church, a second sealing is taking place, with all major Christian denominations coming into covenant with Islam, Buddhism, and Hinduism, saying there are many ways to God. The great apostasy is here, but nothing will stop this final move of God. The world will see a full restoration of His glory on Earth as it is in heaven. Through revelation, or an apocalypse, let us step behind the veil to have full access to the glory of God and His redemptive plan for us as His children. For the earth will be filled with the knowledge of the glory of the LORD, as the waters cover the sea (Hab. 2:14).

A Heavenly Revelation of Spiritual Warfare Secrets Jennifer LeClaire, globally recognized prophet, spiritual warfare trainer, and prayer leader, received a vivid, visionary encounter in the War Room of Heaven. In this vision, I saw a veil rip open from the top to bottom. As I peered behind the veil, I saw a long walkway with...

A finalist for World Magazine's Book of the Year! Scholars, journalists, and even politicians uphold Muslim-ruled medieval Spain—"al-Andalus"—as a multicultural paradise, a place where Muslims, Christians, and Jews lived in harmony. There is only one problem with this widely accepted account: it is a myth. In this groundbreaking book, Northwestern University scholar Darío Fernández-Morera tells the full story of Islamic Spain. The Myth of the Andalusian Paradise shines light on hidden history by drawing on an abundance of primary sources that scholars have ignored, as well as archaeological evidence only recently unearthed. This supposed beacon of peaceful coexistence began, of course, with the Islamic Caliphate's conquest of Spain. Far from a land of religious tolerance, Islamic Spain was marked by religious and therefore cultural repression in all areas of life and the marginalization of Christians and other groups—all this in the service of social control by autocratic rulers and a class of religious authorities. The Myth of the Andalusian Paradise provides a desperately needed reassessment of medieval Spain. As professors, politicians, and pundits continue to celebrate Islamic Spain for its "multiculturalism" and "diversity," Fernández-Morera sets the historical record straight—showing that a politically useful myth is a myth nonetheless.

Lost honourA true storyIn the whole human history, there is not a more informative chapter for the heart and the spirit than the annals ofone's own mistakes. For in every great crime, a proportionately great force was set into movement by itsperpetrator.If the secret game of covetousness remains hidden beneath the weaker light of common affects, hence, it will bemore expressive, more colossal, louder, under the condition of violent passion.

Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón’s El gran teatro del mundo (c. 1633–36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis.

In the modern period, space has predominately been conceived of as a mere setting for human action, ontologically separate from the body. In Markan studies, the result has been the multiplication of textual geographies that hide the spatiality of Jesus’s narrativized and, thus, living body. Rather than representing Jesus’s body as replicating the spatial configurations of dominant scribal cartographic practice (including imperial practice), James B. Pendleton shows that Mark portrays Jesus’s body as a living production of space that troubles dominant maps. Against readings of Mark that argue that Jesus is either an imperial or an anti-imperial figure, Pendleton argues that Mark presents Jesus’s body, and thus his spatiality, as both inside (as an insider) and outside (as an outsider) simultaneously, in what has more commonly been theorized recently as third spatiality, or thirdspace. Rather than an imperial or anti-imperial economy of spatial production, Pendleton argues, Mark presents Jesus’s body within a both-and and more economy that is kenotic, revealing God’s own royal yet “emptying” body.