"Ballif questions why the profession wants to retain these beliefs in the face of vociferous arguments from "new rhetorics" that the discipline no longer posits a foundational self or truth, and in the face of the poststructuralist critique, which has demonstrated that founding truth is always accomplished by first positing and then negating an "other." As an alternative to this negative and violent rhetorical process, Ballif suggests a turn to sophistry as embodied in the figure of Woman, one with the power to seduce us (literally, to lead astray) from our truth and our demand for it."--BOOK JACKET.

"This work is the first book-length treatment of Jean Baudrillard as a rhetorical theorist"--

In Gorgias and the New Sophistic Rhetoric, Bruce McComiskey achieves three rhetorical goals: he treats a single sophist's rhetorical technê (art) in the context of the intellectual upheavals of fifth-century bce Greece, thus avoiding the problem of generalizing about a disparate group of individuals; he argues that we must abandon Platonic assumptions regarding the sophists in general and Gorgias in particular, opting instead for a holistic reading of the Gorgianic fragments; and he reexamines the practice of appropriating sophistic doctrines, particularly those of Gorgias, in light of the new interpretation of Gorgianic rhetoric offered in this book. In the first two chapters, McComiskey deals with a misconception based on selective and Platonic readings of the extant fragments: that Gorgias's rhetorical technê involves the deceptive practice of manipulating public opinion. This popular and ultimately misleading interpretation of Gorgianic doctrines has been the basis for many neosophistic appropriations. The final three chapters deal with the nature and scope of neosophistic rhetoric in light of the non-Platonic and holistic interpretation of Gorgianic rhetoric McComiskey postulates in his opening chapters. He concludes by examining the future of communication studies to discover what roles neosophistic doctrines might play in the twenty-first century. McComiskey also provides a selective bibliography of scholarship on sophistic rhetoric and philosophy in English since 1900.

Introduces new scholars to interdisciplinary research by utilizing bibliographical surveys of both primary and secondary works that address the history of rhetoric, from the Classical period to the 21st century.

Recent and ongoing "new materialisms" scholarship seeks to fundamentally reshape the humanities and their relationship with the sciences. While this work comprises multiple and varied currents, one of the most important, yet whose distinctive merits are arguably often underappreciated, is that influenced by the theoretical physicist and feminist philosopher Karen Barad. The first volume devoted to bringing Barad’s work into conversation with the disciplines of rhetoric and communication studies, this collection organizes that conversation primarily around her notion of "entanglement", which encourages an understanding of meaning as inherently performative, material, and ecological. In doing so, the essays in this collection variously approach rhetoric as a "figure of entanglement" in ways that contribute to and enrich both rhetoric and Barad’s theorizing. Topics range from politics to breast cancer, genealogy, the trope of academic "turns," Marx’s notion of exchange, and the "prehistoric" emergence of human consciousness. With a new foreword by the editors and afterword by Laurie E. Gries, this collection is otherwise reprinted from the 2016 "Figures of Entanglement" special issue of the journal Review of Communication.

Liminal Bodies, Reproductive Health, and Feminist Rhetoric posits rhetoric and gynecology as sister discourses. While rhetoric has been historically concerned with the regulation of the productive male body, gynecology has been concerned with the discipline of the female reproductive body. Lydia M. McDermott examines these sister discourses by tracing key narrative moments in the development of thought about sexed bodies and about rhetorical discourse, from classical myth and natural philosophy to the eighteenth- and nineteenth-century decline of midwifery and the rise of scientific writing on the reproductive body. Liminal Bodies offers a metaphorical method of invention and criticism, “sonogram,” that emphasizes the voices and bodies that have been left on the margins of the dominant histories of rhetoric.

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