Prepare to be captivated by the sultry allure and undeniable chemistry that have set cinema screens ablaze in "Seduction on Screen: The 100 Sexiest Movies of All Time." This steamy guide takes you on a journey through the most provocative and unforgettable moments in film history, showcasing the movies that have redefined sensuality, passion, and desire. Each chapter offers a tantalizing exploration of a different film, delving into the erotic artistry, mesmerizing performances, and sizzling storylines that have left audiences entranced. From the raw intensity of Basic Instinct to the romantic heat of Atonement and the bold sensuality of Call Me by Your Name, this book covers a wide range of genres and styles, all united by their electrifying appeal. Whether you're a film buff or simply in the mood for something a little more daring, "Seduction on Screen" is your ultimate companion to the world of cinematic seduction. This collection celebrates the films that have pushed boundaries, sparked conversations, and kindled the flames of passion, making them timeless classics in the realm of sensual storytelling. Dive into the 100 sexiest movies ever made, and let the magic of cinema sweep you off your feet.

Warning #1: This book is not to be taken seriously. Do not read this if you don't have the sense of humor of a 15 year old boy. Do not read this if you ARE a fifteen year old boy. This book is totally crude and inappropriate and uses the word "vagina" a lot. No, I mean A LOT. If you don't think people who are drunk are hilarious, you shouldn't read this book. You probably shouldn't read this book if you aren't drunk yourself. You should probably just put this book down and get drunk. You may think that no one in the world talks like the people in this book, but they do. They are called "people who are funny and inappropriate". This book is completely unrealistic; the author is aware of that fact and did it on purpose. 2012 Goodreads Choice Award Nominee - Best RomanceClaire is a twenty-something, single mom that grudgingly helps her best friend sell sex toys while she attempts to make enough money to start her own business to give her foul-mouthed, but extremely loveable (when he's asleep) toddler a better life. When Carter, the one-night-stand from her past that changed her life forever, shows up in her hometown bar without any recollection of her besides her unique chocolate scent, Claire will make it a point that he remembers her this time. With Carter's undisguised shock at suddenly finding out he has a four-year-old son and Claire's panic that her stretch marks and slim to none bedroom experience will send the man of her dreams heading for the hills, the pair will do whatever they can to get their happily ever after.Warning #2: contains explicit sex, profanity and enough sarcasm to choke a horse.When Carter, the one-night-stand from her past that changed her life forever, shows up in her hometown bar without any recollection of her besides her unique chocolate scent, Claire will make it a point that he remembers her this time. With Carter's undisguised shock at suddenly finding out he has a four-year-old son and Claire's panic that her stretch marks and slim to none bedroom experience will send the man of her dreams heading for the hills, the pair will do whatever they can to get their happily ever after.Warning: contains explicit sex, profanity and enough sarcasm to choke a horse.

The host of the podcast You Must Remember This explores Hollywood’s golden age via the cinematic life of Howard Hughes and the women who encountered him. Howard Hughes’s reputation as a director and producer of films unusually defined by sex dovetails with his image as one of the most prolific womanizers of the twentieth century. The promoter of bombshell actresses such as Jean Harlow and Jane Russell, Hughes supposedly included among his off-screen conquests many of the most famous actresses of the era, among them Billie Dove, Katharine Hepburn, Ava Gardner, Ginger Rogers, and Lana Turner. Some of the women in Hughes’s life were or became stars and others would stall out at a variety of points within the Hollywood hierarchy, but all found their professional lives marked by Hughes’s presence. In Seduction, Karina Longworth draws upon her own unparalleled expertise and an unpreceded trove of archival sources, diaries, and documents to produce a landmark—and wonderfully effervescent and gossipy—work of Hollywood history. It’s the story of what it was like to be a woman in Hollywood during the industry’s golden age, through the tales of actresses involved with Howard Hughes. This was the era not only of the actresses Hughes sought to dominate, but male stars such as Errol Flynn, Cary Grant, and Robert Mitchum; directors such as John Ford, Howard Hawks, and Preston Sturges; and studio chiefs like Irving Thalberg, Darryl Zanuck, and David O. Selznick—many of whom were complicit in the bedroom and boardroom exploitation that stifled and disappointed so many of the women who came to Los Angeles with hopes of celluloid triumph. In his films, Howard Hughes commodified male desire more blatantly than any mainstream filmmaker of his time and in turn helped produce an incredibly influential, sexualized image of womanhood that has impacted American culture ever since. As a result, the story of him and the women he encountered is about not only the murkier shades of golden-age Hollywood, but also the ripples that still slither across today’s entertainment industry and our culture in general. Praise for Seduction “Guaranteed to engross anyone with any interest at all in Hollywood, in movies, in #MeToo and in the never-ending story of men with power and women without.” —New York Times Book Review “The stories Longworth uncovers—about Katharine Hepburn and Jane Russell, yes, but also Ida Lupino and Faith Domergue and Anita Loos—are so rich, so compelling, that they urge you to question how much else in history has been lost within the swirling vortex of Great Men.” —Atlantic “A compelling and relevant must-read.” —Entertainment Weekly

Seduction is a complicated concept that is a part of the general human experience. Despite the prevalence of seduction in our personal lives as well as within popular culture, the concept has not been widely discussed and researched as an academic field. Seduction in Popular Culture, Psychology, and Philosophy explores the concept of seduction and the many ways it can be understood, either as a social and individual practice, a psychological trait, or a schema for manipulation. Taking a cross-disciplinary approach, this publication features research-based chapters relevant to sociologists, media professionals, psychologists, philosophers, advertising professionals, researchers, and graduate level students studying in related areas.

From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries.