Isaac Titsingh was intermittently head of the Japan factory (trading station) of the Dutch East India Company 1780-94. He was a career merchant, but unusual in having a classical education and training as a physician. His impact in Japan was enormous, but he left disappointed in the ability of the country to embrace change. After many years in Java, India and China, he came to London, and then settled in Paris where he devoted himself to compiling translations of prime Japanese texts. It is one of the most exciting anthologies of the period and reveals the almost unknown world of eighteenth-century Japan, discussing politics, history, poetry and rituals. The Illustrations of Japan appeared posthumously in 1821-1822 in English, French and Dutch. This fully annotated edition makes the original English version available for the first time in nearly two centuries

Isaac Titsingh was intermittently head of the Japan factory (trading station) of the Dutch East India Company 1780-94. He was a career merchant, but unusual in having a classical education and training as a physician. His impact in Japan was enormous, but he left disappointed in the ability of the country to embrace change. After many years in Java, India and China, he came to London, and then settled in Paris where he devoted himself to compiling translations of prime Japanese texts. It is one of the most exciting anthologies of the period and reveals the almost unknown world of eighteenth-century Japan, discussing politics, history, poetry and rituals. The Illustrations of Japan appeared posthumously in 1821-1822 in English, French and Dutch. This fully annotated edition makes the original English version available for the first time in nearly two centuries

On July 29, 1643, ten crew members of the Dutch yacht Breskens were lured ashore at Nambu in northern Japan. Once out of view of their ship, the men were bound and taken to the shogun, Tokugawa Iemitsu, in Edo, where they remained imprisoned for four months. Later the Japanese government forced the Dutch East India Company representative in Nagasaki to acknowledge that the sailors had in fact been saved from shipwreck and that official recognition of the rescue (i.e., a formal visit from a Dutch ambassador) was in order. Prisoners from Nambu provides a lively, engrossing narrative of this relatively obscure incident, while casting light on the history of the period as a whole. Expertly constructing his tale from primary sources, the author examines relations between the Dutch East India Company and the shogunal government immediately following the promulgation of the "seclusion laws" (sakokurei) and anti-Christian campaigns.

Through a close critical analysis of Baba Bunko's often humorous, but always biting, satirical essays a new picture of the hidden world of Christianity in eighteenth-century Japan emerges - a picture that contradicts the generally-held belief among Western historians that the Catholic mission in Japan ended in failure. A Christian Samurai will surprise many readers when they discover that Christian moral teachings not only survived the long period of persecution but influenced Japanese society throughout the Tokugawa period.

Japan, and the year is 1853. Growing up among the samurai of the Satsuma Clan, in Japan's deep south, the fiery, beautiful and headstrong Okatsu has like all the clan's women been encouraged to be bold, taught to wield the halberd, and to ride a horse. But when she is just seventeen, four black ships appear. Bristling with cannon and manned by strangers who to the Japanese eyes are barbarians, their appearance threatens Japan's very existence. And turns Okatsu's world upside down. Chosen by her feudal lord, she has been given a very special role to play. Given a new name Princess Atsu and a new destiny, she is the only one who can save the realm. Her journey takes her to Edo Castle, a place so secret that it cannot be marked on any map. There, sequestered in the Women's Palace home to three thousand women, and where only one man may enter: the shogun she seems doomed to live out her days.

How did the end of the shoguns pave the way for modern Japan? Between the eighth and twelfth centuries, emperors ruled Japan. But powerful families gained the loyalty of the samurai - the emperors’ warriors. In 1185 one local lord took control as shogun, leader of the samurai armies. For the next seven hundred years, the emperors were ceremonial figures, and the shoguns ruled Japan, banning interaction with the Western world. In the nineteenth century, Westerners demanded that Japan open to trade under the threat of invasion. Japan’s shogunate realized it didn’t have the military technology to fight them. When the shogun government made concessions to the Westerners, Japanese lords were outraged and returned their support to the emperor. The shogunate crumbled. In 1868 Emperor Meiji became ruler of Japan. He opened Japan to modern technology, and his military advisers created a global fighting force. The end of the shoguns, which led to the birth of modern Japan, was one of the world’s pivotal moments.

*Finalist for the Pulitzer Prize in Biography* *Winner of the 2020 National Book Critics Circle Award* *Winner of the PEN/Jacqueline Bograd Weld Award for Biography* A “captivating” (The Washington Post) work of history that explores the life of an unconventional woman during the first half of the 19th century in Edo—the city that would become Tokyo—and a portrait of a city on the brink of a momentous encounter with the West. The daughter of a Buddhist priest, Tsuneno was born in a rural Japanese village and was expected to live a traditional life much like her mother’s. But after three divorces—and a temperament much too strong-willed for her family’s approval—she ran away to make a life for herself in one of the largest cities in the world: Edo, a bustling metropolis at its peak. With Tsuneno as our guide, we experience the drama and excitement of Edo just prior to the arrival of American Commodore Perry’s fleet, which transformed Japan. During this pivotal moment in Japanese history, Tsuneno bounces from tenement to tenement, marries a masterless samurai, and eventually enters the service of a famous city magistrate. Tsuneno’s life provides a window into 19th-century Japanese culture—and a rare view of an extraordinary woman who sacrificed her family and her reputation to make a new life for herself, in defiance of social conventions. “A compelling story, traced with meticulous detail and told with exquisite sympathy” (The Wall Street Journal), Stranger in the Shogun’s City is “a vivid, polyphonic portrait of life in 19th-century Japan [that] evokes the Shogun era with panache and insight” (National Review of Books).