Essays discuss the nature of privacy and secrecy, their perception in other cultures, and their application in business, organizations, and intelligence work.

Gilbert Herdt is Director of the Program in Human Sexuality Studies at San Francisco State University, where he is also Professor of Human Sexuality Studies and Anthropology.

Johns Gospel has been studied and evaluated and interpreted constantly by theologians throughout the ages. Can anything more possibly be said? Jerome Neyrey says it can, indeed, by interpreting it in two fresh ways by means of ancient rhetoric and by viewing it in its cultural context. / In order to find patterns and concepts that have a bearing on how to read John Neyrey examines the rhetoric of praise and blame described in the ancient encomium, the Greek commonplace on noble death, rules for rhetorical conclusions, and Jewish background materials. He then uses materials from cultural anthropology, such as the effects of limited good and envy, secrecy, and brokerage. Even innocent topics such as time and space have much to say about interpreting the figure of Jesus. / In viewing John through these two lenses, The Gospel of John in Cultural and Rhetorical Perspective brings the book into clear focus as a truly maverick gospel

The Culture of Secrecy is the first comprehensive study of the restriction of official information in modern British history. It seeks to understand why secrets have been kept, and how systems of control have been constructed - and challenged - over the past hundred and sixty years. The authortranscends the conventional boundaries of political or social history in his wide-ranging diagnosis of the `British disease' - the legal forms and habits of mind which together have constituted the national tradition of discreet reserve. The chapters range across bureaucrats and ballots, gossip andgay rights, doctors and dole investigators in their exploration of the ethical basis of power in the public, professional, commercial and domestic spheres. Professor Vincent examines concepts such as privacy and confidentiality, honour and integrity, openness and freedom of expression, which haveserved as benchmarks in the development of the liberal state and society.

Shin has long been one of the most popular forms of Buddhism in Japan. As a devotional tradition that emphasizes gratitude and trust in Amida Buddha, it is thought to have little to do with secrecy. Yet for centuries, Shin Buddhists met on secluded mountains, in homes, and in the backrooms of stores to teach their hidden doctrines and hold clandestine rites. Among their adherents was D. T. Suzuki’s mother, who took her son to covert Shin meetings when he was a boy. Even among Shin experts, covert followers were relatively unknown; historians who studied them claimed they had disappeared more than a century ago. A serendipitous encounter, however, led to author Clark Chilson’s introduction to the leader of a covert Shin Buddhist group—one of several that to this day conceal the very existence of their beliefs and practices. In Secrecy’s Power Chilson explains how and why they have remained hidden. Drawing on historical and ethnographic sources, as well as fieldwork among covert Shin Buddhists in central Japan, Secrecy’s Power introduces the histories, doctrines, and practices of different covert Shin Buddhists. It shows how, despite assumptions to the contrary, secrecy has been a significant part of Shin’s history since the thirteenth century, when Shinran disowned his eldest son for claiming secret knowledge. The work also demonstrates how secrecy in Shin has long been both a source of conflict and a response to it. Some covert Shin Buddhists were persecuted because of their secrecy, while others used it to protect themselves from persecution under rulers hostile to Shin. Secrecy’s Power is a groundbreaking work that makes an important contribution to our knowledge on secrecy and Shin Buddhism. Organized around the various consequences concealment has had for covert Shin Buddhists, it provides new insights into the power of secrecy to produce multiple effects—even polar opposite ones. It also sheds light on ignored corners of Shin Buddhism to reveal a much richer, more diverse, and more contested tradition than commonly is understood.

Secrets accomplish their cultural work by distinguishing the knowable from the (at least temporarily) unknowable, those who know from those who don't. Within these distinctions resides an enormous power that Ben Jonson (1572-1637) both deplored and exploited in his art of making plays. Conspiracies and intrigues are the driving force of Jonson's dramatic universe. Focusing on Sejanus, His Fall; Volpone, or the Fox; Epicoene, or the Silent Woman; The Alchemist; Catiline, His Conspiracy, and Bartholomew Fair, William Slights places Jonson within the context of the secrecy- ridden culture of the court of King James I and provides illuminating readings of his best-known plays. Slights draws on the sociology of secrecy, the history of censorship, and the theory of hermeneutics to investigate secrecy, intrigue, and conspiracy as aspects of Jonsonian dramatic form, contemporary court/city/church politics, and textual interpretation. He argues that the tension between concealment and revelation in the plays affords a model for the poise that sustained Jonson in the intricately linked worlds of royal court and commercial theatre and that made him a pivotal figure in the cultural history of early modern England. Equally rejecting the position that Jonson was a renegade subverter of the arcana imperii and that he was a thorough-going court apologist, Slights finds that the playwright redraws the lines between private and public discourse for his own and subsequent ages.

Divided into six sections, this title examines Government secrecy (GS) in a variety of contexts, including comparative examination of government control of information, new definitions, categories, censorship, ethics, and secrecy's relationship with freedom of information and transparency.