Plato’s Timaeus is unique in Greek Antiquity for presenting the creation of the world as the work of a divine demiurge. The maker bestows order on sensible things and imitates the world of the intellect by using the Forms as models. While the creation-myth of the Timaeus seems unparalleled, this book argues that it is not the first of Plato’s dialogues to use artistic language to articulate the relationship of the objects of the material world to the world of the intellect. The book adopts an interpretative angle that is sensitive to the visual and art-historical developments of Classical Athens to argue that sculpture, revolutionized by the advent of the lost-wax technique for the production of bronze statues, lies at the heart of Plato’s conception of the relation of the human soul and body to the Forms. It shows that, despite the severe criticism of mimēsis in the Republic, Plato’s use of artistic language rests on a positive model of mimēsis. Plato was in fact engaged in a constructive dialogue with material culture and he found in the technical processes and the cultural semantics of sculpture and of the art of weaving a valuable way to conceptualise and communicate complex ideas about humans’ relation to the Forms.

This volume of essays in honor of Lucia Athanassaki offers a great variety of chapters on a number of topics in Greek and Latin literature and genres, from Greek epic and lyric poetry to Greek drama and late antiquity, Greek historiography, and Latin lyric poetry.

In Memory and the Political Art in Plato’s Statesman, Catherine Craig provides an original reading of Plato’s Statesman by bringing memory to the foreground. The dialogue itself explores various components of political memory, such as common speech, myths, and laws, and argues that these create a framework in which we live our political lives. Each of these aspects of political memory serves as an image to move the individual to rational inquiry. In this way, the dialogue suggests that political memory can serve as a starting point for philosophic recollection, allowing for a move from knowledge of the rational soul to first principles. Craig shows how Plato weaves together the personal, political, and philosophic dimensions of memory, providing a richer understanding of the significance of memory for political life. Beyond providing an analysis of the Statesman, this book helps readers consider the challenges of political memory in contemporary political life, while also arguing that memory mediates between universal, rational principles and the particular ends and circumstances of human life.

This is the first general monograph on ancient Greek dress in English to be published in more than a century. By applying modern dress theory to the ancient evidence, this book reconstructs the social meanings attached to the dressed body in ancient Greece. Whereas many scholars have focused on individual aspects of ancient Greek dress, from the perspectives of literary, visual, and archaeological sources, this volume synthesizes the diverse evidence and offers fresh insights into this essential aspect of ancient society.

This volume offers a wide-ranging study on perception in the Timaeus, not only discussing senses such as touch, taste, and olfaction alongside audition and vision but also engaging with Timaeus’ wider cosmological project. Most studies of perception in the Timaeus focus on a few narrow passages on vision and audition. By taking the broader approach of this volume, important lessons about the nature of perception may be gleaned from Timaeus’ cosmogony, psychogony, and anthropogony. While there is an emerging modern consensus that the Timaeus should be read literally, this study argues against a literal interpretation of the spatial and kinetic properties of the soul in favour of a metaphorical understanding. Not only does this yield a rich account of the intentionality of cognition but also sheds light onto the nature of the soul-body union. In addition, this volume argues for the largely overlooked significance of Timaean anatomy, as it contributes to our understanding of the providential scheme of Timaeus’ cosmology more generally. Cosmos and Perception in Plato’s Timaeus is of interest to students and scholars of the Timaeus and Plato’s thought more broadly, as well as those working on ancient theories of perception and the philosophy of mind.

First published in 2000. This is Volume VII of ten in the International Library of Philosophy in a series on Ancient Philosophy. Written around 1953, this book looks at Plato and his ideas on art based on his ‘Dialogues’.