While recent decades have seen a plethora of studies exploring the complex processes that shaped biblical books traditionally designated as Prophets, much remains to be done in order to uncover the rich history of their interpretation throughout the ages. This collection of essays aims at filling this gap by exploring different aspects of the exegesis of the Former and Latter Prophets in contexts both ancient and modern, Jewish and Christian. From the inner-biblical interpretation of the Prophets to the Dead Sea Scrolls, Apocrypha and Pseudepigrapha, the New Testament, Patristic writings, and contemporary rhetoric, this volume sheds light on how key figures in those books were read and understood by both ancient and not so-ancient readers.

The ancient Maya city of Quirigua occupied a crossroads between Copan in the southeastern Maya highlands and the major centers of the Peten heartland. Though always a relatively small city, Quirigua stands out because of its public monuments, which were some of the greatest achievements of Classic Maya civilization. Impressive not only for their colossal size, high sculptural quality, and eloquent hieroglyphic texts, the sculptures of Quirigua are also one of the few complete, in situ series of Maya monuments anywhere, which makes them a crucial source of information about ancient Maya spirituality and political practice within a specific historical context. Using epigraphic, iconographic, and stylistic analyses, this study explores the integrated political-religious meanings of Quirigua's monumental sculptures during the eighth-century A.D. reign of the city's most famous ruler, K'ak' Tiliw. In particular, Matthew Looper focuses on the role of stelae and other sculpture in representing the persona of the ruler not only as a political authority but also as a manifestation of various supernatural entities with whom he was associated through ritual performance. By tracing this sculptural program from its Early Classic beginnings through the reigns of K'ak' Tiliw and his successors, and also by linking it to practices at Copan, Looper offers important new insights into the politico-religious history of Quirigua and its ties to other Classic Maya centers, the role of kingship in Maya society, and the development of Maya art.

Copan in modern Honduras was one of the great cities of the Classic Maya. Explorers found ruined temples, plazas, and more hieroglyphic inscriptions and sculpted monuments than in any other site in the New World. But the stones were silent, the script undeciphered.

The contents of this issue are: “Between Creation and Destruction,” by Finbarr Barry Flood and Zoë Sara Strother; “People Have Three Eyes: Ephemeral Art and the Archive in Southeastern Nigeria,” by Sarah Adams; “Beyond Monument Lies Empire: Mapping Songhay Space in Tenth- to Sixteenth-Century West Africa,” by Kristina Van Dyke; “Censorship and Iconoclasm—Unsettling Monuments,” by John Peffer; “Recycling Icons and Bodies in Chinese Anti-Buddhist Persecutions,” by Eric Reinders; “Modifications of Ancient Maya Sculpture,” by Bryan R. Just; “Roman Oscilla: An Assessment,” by Rabun Taylor; “Turning Tale into Vision: Time and Image in the Divina Commedia,” by Gervase Rosser; “Building outside Time in Alberti’s De re aedificatoria,” by Marvin Trachtenberg; and “Restoration as Re-creation at the Sainte-Chapelle,” by Meredith Cohen; and the documents and discussions “The Constitution of Pleasure: François-Joseph Belanger and the Chateau de Bagatelle,” by Taha Al-Douri; “Composing Vinteuil: Proust’s Unheard Music,” by Mauro Carbone; “Diskotel 1967: Israel and the Western Wall in the Aftermath of the Six Day War,” by Daniel Bertrand Monk; “The ‘Kulturbolschewiken’ I: Fluxus, the Abolition of Art, the Soviet Union, and ‘Pure Amusement,’” by Cuauhtémoc Medina; and “Aby Warburg in America Again: With an Edition of His Unpublished Correspondence with Edwin R. A. Seligman (1927–1928),” by Davide Stimilli.

In Civilizations, Felipe Fernández-Armesto once again proves himself a brilliantly original historian, capable of large-minded and comprehensive works; here he redefines the subject that has fascinated historians from Thucydides to Gibbon to Spengler to Fernand Braudel: the nature of civilization. To Fernández-Armesto, a civilization is "civilized in direct proportion to its distance, its difference from the unmodified natural environment"...by its taming and warping of climate, geography, and ecology. The same impersonal forces that put an ocean between Africa and India, a river delta in Mesopotamia, or a 2,000-mile-long mountain range in South America have created the mold from which humanity has fashioned its own wildly differing cultures. In a grand tradition that is certain to evoke comparisons to the great historical taxonomies, each chapter of Civilizations connects the world of the ecologist and geographer to a panorama of cultural history. In Civilizations, the medieval poem Sir Gawain and the Green Knight is not merely a Christian allegory, but a testament to the thousand-year-long deforestation of the trees that once covered 90 percent of the European mainland. The Indian Ocean has served as the world's greatest trading highway for millennia not merely because of cultural imperatives, but because the regular monsoon winds blow one way in the summer and the other in the winter. In the words of the author, "Unlike previous attempts to write the comparative history of civilizations, it is arranged environment by environment, rather than period by period, or society by society." Thus, seventeen distinct habitats serve as jumping-off points for a series of brilliant set-piece comparisons; thus, tundra civilizations from Ice Age Europe are linked with the Inuit of the Pacific Northwest; and the Mississippi mound-builders and the deforesters of eleventh-century Europe are both understood as civilizations built on woodlands. Here, of course, are the familiar riverine civilizations of Mesopotamia and China, of the Indus and the Nile; but also highland civilizations from the Inca to New Guinea; island cultures from Minoan Crete to Polynesia to Renaissance Venice; maritime civilizations of the Indian Ocean and South China Sea...even the Bushmen of Southern Africa are seen through a lens provided by the desert civilizations of Chaco Canyon. More, here are fascinating stories, brilliantly told -- of the voyages of Chinese admiral Chen Ho and Portuguese commodore Vasco da Gama, of the Great Khan and the Great Zimbabwe. Here are Hesiod's tract on maritime trade in the early Aegean and the most up-to-date genetics of seed crops. Erudite, wide-ranging, a work of dazzling scholarship written with extraordinary flair, Civilizations is a remarkable achievement...a tour de force by a brilliant scholar.

Steve Glassman retraces John Lloyd Stephens' 1839 route, visiting the same archaeological sites, towns, markets, and churches and meeting along the way the descendants of those people Stephens described, from mestizo en route to the cornfields to town elders welcoming the Norte Americanos. Glassman's work interlaces discussion of the history, natural environment, and architecture of the region with descriptions of the people who live and work there. Glassman compares his 20th-century experience with Stephens's 19th-century exploration, gazing in awe at the same monumental pyramids, eating similar foods, and avoiding the political clashes that disrupt the governments and economies of the area.

Ancient Southeast Mesoamerica explores the distinctive development and political history of the region from its earliest inhabitants up to the Spanish conquest. It demonstrates how inhabitants from different locales were organized within a matrix of social networks, and how they mobilized the assets that they needed to achieve their own goals.