The basics, the answers, the definitions, the reference, the examples, the inside jokes and the snide comments for you all, who decided despite all warnings to write a screenplay

This is a complete screenwriting course -- from developing a theme, researching a story, plotting and structuring a script, developing characters, and plying methods that aid the actual writing and rewriting processes to understanding the ins and outs of marketing and pitching scripts. Well-written, comprehensive, and filled with illustrative screenplay examples, both innovative and tried-and-true writing techniques, sage advice from veteran writers, and pertinent writing anecdotes, this one-of-a-kind screenwriting book will help both novices and working screenwriters to improve and sell their scripts.

Based on actual class lectures and assignments, Finish the Script! offers an inside look into the screenwriting process as it's author writes a screenplay from scratch along with the reader. By taking a step-by-step approach to writing, Finish the Script!, ditches theory and focuses on the actual process. It's a full college course squeezed into a book, complete with exercises and sample assignments. It shows how messy first drafts can be and how to fix problems and mistakes when doing a rewrite. Stop worrying about getting the perfect treatment, exact structure, or fitting your story into a generic mold and start writing because it's the only way you'll finish your script.

If there is one skill that separates the professional screenwriter from the amateur, it is the ability to rewrite successfully. From Jack Epps, Jr., the screenwriter of Top Gun, Dick Tracy, and The Secret of My Success, comes a comprehensive guide that explores the many layers of rewriting. In Screenwriting is Rewriting, Epps provides a practical and tested approach to organizing notes, creating a game plan, and executing a series of focused passes that address the story, character, theme, structure, and plot issues. Included are sample notes, game plans, and beat sheets from Epps' work on films such as Sister Act and Turner and Hooch. Also featured are exclusive interviews with Academy Award® winning screenwriters Robert Towne (Chinatown) and Frank Pierson (Dog Day Afternoon), along with Academy Award® nominee Susannah Grant (Erin Brockovich).

Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed. Chapters explore areas including: Screenwriting histories and myths of the profession Screenwriting as creative labor Screenwriters’ working lives Screenwriting work and the how-to genre Screenwriting work and inequalities Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771