With nearly 400 color photos of Scottish paperweights from 1835 to the present, along with a history of weight-making and important weight-makers and glass houses of Scotland, this study offers a detailed guide to a beautiful art form that has enthusiasts throughout the world. A substantial glossary and price guide are included.

The purpose of this book is to introduce paperweight collecting to those people who may be interested in these fascinating and mysterious small glass objects, but are not quite ready to start a collection without some basic knowledge. Back in 1969, when my husband and I first became interested in paperweights, information was at a premium. The limited number of books about paperweights were often hard to come by. Occasionally, articles were published in magazines, and once in a while, an article appeared in a newspaper. You were lucky if you heard about the article and luckier still to find a copy! Some wonderful books were published as far back as 1940 when paperweight collector Evangeline Bergstrom’s book Old Glass Paperweights first appeared.* In fact, many old books, paperweight journals, newspaper and magazine articles have become valuable in their own right, now sought after as collectors’ items. The positive side about this paucity of literature was that you read everything you could get your hands on, good, poor or terrific. Today, even the very best of these publications, many still considered top notch, contain at least some information that could be updated and corrected as a result of recent findings. Still, many of these books and articles remain as valuable resources. Since the “Paperweight Renaissance” in the mid twentieth century, the number of available books about paperweights has increased explosively. To consider acquiring and/or reading all of them creates a heavy burden on reader, purse and bookshelf. Some are wonderful, containing well documented information; some are even extraordinary, the result of careful research; and a few are mediocre and will probably end up on the back shelf, the pages barely worn. Before a potential paperweight aficionado becomes confused or overwhelmed by the vast number of books, it seemed there was an opportunity to provide a general view of the topic that could be easily read and referred to at just the right time. It was to meet this perceived need that “Glass Paperweights 101” was written. As the title suggests, this book about glass paperweights is intended as an introduction to and overview of the subject. Should this book inspire readers to delve into these more scholarly works, I will personally consider this introductory volume to have been a great success. After digesting the contents of this purposely limited volume, I hope readers who are new to this area of collecting or perhaps just thinking about it, will be inspired to become impassioned paperweight collectors who will develop a discriminating eye. Great adventures are in store for the new paperweight collector. *This was one of the earliest books published a about paperweights. Although the Bergstrom book contains many inaccuracies, considering the scarcity of available information about paperweights at the time, it is amazing that so much that was written is correct.

Lampworked and millifiori paperweights have become recognized as little works of art, because their intricate designs pose a challenge to even the most accomplished glassblowers. Successful pieces are beautiful and intriguing, displaying the best skills in the glass field. Included are company histories and detailed descriptions of nearly 500 paperweights produced over the last 150 years from around the world. The authoratative text includes new information that will fascinate collectors, along with many rare and exceptional paperweights. Full pricing information and a detailed glossary are also included.

Can you imagine a different Scotland, a Scotland where women are commemorated in statues and streets and buildings - even in the hills and valleys? This is a guidebook to that alternative nation, where the cave on Staffa is named after Malvina rather than Fingal, and Arthur's Seat isn't Arthur's, it belongs to St Triduana. Where you arrive into Dundee at Slessor Station and the Victorian monument on Stirling's Abbey Hill interprets national identity not as a male warrior but through the women who ran hospitals during the First World War. The West Highland Way ends at Fort Mary. The Old Lady of Hoy is a prominent Orkney landmark. And the plinths in central Glasgow proudly display statues of suffragettes. In this 'imagined atlas' fictional streets, buildings, statues and monuments are dedicated to real women, telling their often untold or unknown stories.For most of recorded history, women have been sidelined, if not silenced, by men who named the built environment after themselves. Now is the time to look unflinchingly at Scotland's heritage and bring those women who have been ignored to light. Sara Sheridan explores beyond the traditional male-dominated histories to reveal a new picture of Scotland's history and heritage.

The history of glass in New ZealandCrown Crystal Glass products in New ZealandThe Auckland Bottle companyContemporary New Zealand glassAppendix: Crown Crystal Glass in Australia.

"Waterford Crystal - Irish Brilliance" is the story of world renowned lead crystal known as Waterford Crystal and a guide for collectors. The company gets its name from its home in Waterford Ireland. The book covers the company's history from 1783 until its bankruptcy in 2009 along with how the lead crystal is made. Included are most of the suites (patterns/designs) made in Ireland. It is the first complete collector's guide ever printed about the magnificent lead crystal pieces manufactured by Waterford Crystal. It features 101 suites along with detailed drawings that shows each ones distinct pattern, history of their names, date when the Suite was first released. Also illustrated by photographs are the specialty pieces such as trophies, paperweights, sculptures and many "one of a kind" pieces. Price estimates of selected pieces found at the time of the book's publication are included. The Appendix contains details such as names of stemware parts, individual cut names along with pictures of each cut and a Quick Identification Guide for the Suites. The author is best selling author Sharma Krauskopf who lives in Michigan USA. Sharma's vast knowledge about Ireland was gathered by many trips to the country and extensive research needed for her best selling book, Irish Lighthouses. She also is a collector of Waterford Crystal so the book is developed from collector's perspective.