(Music Sales America). Volume 2 features various tunes including old ballads and ancient Scottish hymns as well as lively dance tunes. Includes: Maire Bhan Og * Two Reels * Staten Island * and more.

(Guitar). Master guitarist and Acoustic Guitar magazine contributing writer Danny Carnahan teaches how to play 15 Scottish classic songs in fingerstyle arrangements with standard notation and tablature, in both standard and dropped-D tuning. Each song includes background information, complete lyrics, a video download and can function as a guitar and voice arrangement or a solo guitar piece. Songs include: Both Sides the Tweed * Cam Ye O'er Frae France * Fair Flower of Northumberland * The False Lover Won Back * Fortune Turns the Wheel * Glenlogie * Hughie the Grahame * Now Westlin Winds * Rattlin' Roarin' Willie * The Rigs of Barley * So Will We Yet * Tae the Beggin' * Tae the Weavers * The Wild Mountain Thyme * Will Ye Go to Flanders.

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

(Guitar). This unique publication features 45 harp tunes beautifully arranged for solo guitar. It also includes an introduction to the book's origins, info on the Celtic harp and biographical information on the author and Turlough O'Carolan. Most songs are arranged at an intermediate-level of difficulty and use standard tunings so that classical guitarists can enjoy them as well as steel-string fingerstylists.

This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, ß la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD. DVD is region 0, playable worldwide.

This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.

(Guitar Solo). 15 favorites arranged for solo guitar in notes and tab, including: Down by the Salley Gardens * The Foggy Dew * The Galway Piper * The Gypsy Rover * Londonderry Air * Molly Malone * Sweet Rosie O'Grady * Water Is Wide * The Wearing of the Green * When Irish Eyes Are Smiling * Whiskey in the Jar * Wild Rover * and more.