The History begins with the first full-scale critical consideration of Scotland's earliest literature, drawn from the diverse cultures and languages of its early peoples. The first volume covers the literature produced during the medieval and early modern period in Scotland, surveying the riches of Scottish work in Gaelic, Welsh, Old Norse, Old English and Old French, as well as in Latin and Scots. New scholarship is brought to bear, not only on imaginative literature, but also law, politics, theology and philosophy, all placed in the context of the evolution of Scotland's geography, history, languages and material cultures from our earliest times up to 1707.

Marshall Walker's lively and readable account of the highs and lows of Scottish literature from this important date to the present addresses the important themes of democracy, power and nationhood. Disposing of stereotypical ideas about Scotland and the Scots, this fresh approach to Scottish literature provides a critical interpretation of its distinctive style and presents the reader with an informative introduction to Scottish culture. Coverage includes the Scottish enlightenment and the world of Boswell and David Hulme to the 'Scottish Renaissance', associated with Hugh MacDiarmaid. Developments in the contemporary literary scene include John McGrath's theatre Company and the fiction and poetry of Alaistar Gray and Ian Crichton Smith. Particular attention is given to the work of Scottish women writers such as Lady Grizel Baillie and Liz Lochhead, who have been much neglected in previous literature.

The first applied research volume in Scottish Romanticism, this collection foregrounds the concept of progress as 'improvement' as a constitutive theme of Scottish writing during the long eighteenth century. It explores improvement as the animating principle behind Scotland’s post-1707 project of modernization, a narrative both shaped and reflected in the literary sphere. It represents a vital moment in Romantic studies, as a 'four-nations' interrogation of the British context reaches maturity. Equally, the volume contributes to a central concern in the study of Scottish culture, amplifying a critical synthesis of Romanticism and Enlightenment. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

This International Companion shows how Scotland's literary cultures, in English, Gaelic, Latin, and Scots, were transformed in the turbulent age between between 1650 to 1800.

Feeling British argues that the discourse of sympathy both encourages and problematizes a sense of shared national identity in eighteenth-century and Romantic British literature and culture. Although the 1707 Act of Union officially joined England and Scotland, government policy alone could not overcome centuries of feuding and ill will between these nations. Accordingly, the literary public sphere became a vital arena for the development and promotion of a new national identity, Britishness. Feeling British starts by examining the political implications of the Scottish Enlightenment's theorizations of sympathy the mechanism by which emotions are shared between people. From these philosophical beginnings, this study tracks how sympathetic discourse is deployed by a variety of authors - including Defoe, Smollett, Johnson, Wordsworth, and Scott - invested in constructing, but also in questioning, an inclusive sense of what it means to be British.

The Anglo-Scottish union crisis is used to demonstrate the growing influence of popular opinion in this period.

Modern Scottish History: 1707 to the Present was published in five volumes in 1998 as a collaboration between the University of Dundee and the Open University in Scotland. Written by leading academics for the Distance Learning course run by the two universities, the series is aimed also at a wide readership anyone with a serious interest in Scottish history and presents the fruits of the latest research in a readable style. The volumes can be read singly, or as a series. Now come the first two volumes of a further five-volume series, Scotland: The Making and Unmaking of the Nation, c.1100-1707, due for completion on the 300th anniversary of the parliamentary union of Scotland with England in 2007. The new series aims to show the importance of Scotland's relationships to Europe and its part in a broader European story, as well as, like the first series, to dispel long-established myths and preconceptions which continue to exert a firm grip on public opinion. Especially in a post-devolution era, Scottish history and Scotland deserve better than this. A word about the title of the new series, Scotland: The Making and Unmaking of the Nation, c.1100-1707. It is certainly designed to provoke but need not be taken to indicate a nationalist view of 1707 as a moment of eclipse. Scotland's history, like all histories, resists simple generalisations. Were it otherwise, its study would not be so rewarding.