Peter Manuel was an icy-eyed psychopath and sexual predator, a petty thief and a relentless liar given to violent and uncontrollable rages. His unprecedented crimes presented the Scottish police and public with a new sort of criminal: the ruthless serial killer. Manuel was hanged at the age of thirty-one and convicted of seven murders, but suspected of many more. He slew many of his victims as they lay sleeping in bed, while others were picked up in lonely places and strangled or savagely beaten to death. Right up to his final arrest, he played a taunting game with the police, mocking their bungling attempts to trap him and continuing to kill with impunity - that is until he was trapped by his own vanity and arrogance. This definitive definitive biography recounts Manuel's chilling story from his birth in the USA to the moment the hangman's rope snapped his spine in Glasgow's notorious Barlinnie Prison.

Cannibals, necrophiles, spree killers, axe wielding maniacs, violent thieves, gunmen, child killers, arsonists, deadly suave conmen, medical professional killers, graverobbers. Here are the worst and most dangerous serial killers ever to come out of Scotland. Find out more about some of Scotland's worst and most notorious murderers in Scotland's Serial Killers.

The true story behind the notorious serial killer Peter Manuel, and Detective William Muncie's quest to bring him to justice, recently dramatised in the major ITV drama In Plain Sight. In a two-year killing spree, Peter Manuel terrorised a city. As the people of Glasgow held their breath and anxiously awaited news, Peter Manuel killed Anne Kneilands, Marion Watt, her daughter Vivienne and her sister Margaret, Isabelle Cooke and the Smart family - all in cold blood. But what drove him to commit such barbaric crimes? And could the police have caught him sooner? MANUEL: Portrait of a Serial Killer tells the full story from his birth in the USA and his love of gangster movies to his life of crime that would ultimately end on the gallows after one of the most sensational trials in legal history. Revealing new facts about the case and the myths that surround it, this is the definitive account of one of the most notorious criminals in history - Peter Manuel, serial killer.

In the late 1960s, dance halls were still popular in Glasgow. At the Barrowland Ballroom in the Bridgeton area of the city, queues were long on Friday and Saturday nights and anything up to two thousand people would spend the evening dancing to music provided by the resident band. Then, in February 1968, a woman who had spent the evening at the Barrowland Ballroom was found murdered. It seemed that she had met her killer while dancing but police were unable to find any clue as to his identity. In August 1969, another woman went dancing at the same ballroom and was seen leaving with a tall, slim, handsome young man. Her body was discovered the following day. The circumstances of the two murders were very similar and police began looking for a single killer. They even commissioned a local artist to produce a painting of the murderer based on witness descriptions. In October 1969, it happened again. Another woman was murdered after meeting her killer at the Barrowland Ballroom. But this time, the killer was seen by a number of witnesses and one even shared a taxi with him and his victim. Surely, it was only a matter of time before this murderer, who newspapers had started calling Bible John, was caught? Fifty years later, we still don't know the identity of this serial killer. There have been many theories and a number of potential suspects. Police cold-case reviews have used new technologies in the search for Bible John and several promising new leads have been identified. None have led to an arrest. How can this be? How can a murderer select and spend time with his victims in a crowded public place where he was seen by large numbers of people and yet escape detection? The artist's depiction of the killer was also said to be a very good likeness, so we even know what he looked like. This book is a fresh look at this fascinating case and an attempt to understand how Bible John managed to escape detection and has continued to elude investigators for fifty years.

Body snatchers and grave robbers were the stuff of Victorian lore, but two real-life culprits took the crimes out of shadowy cemeteries and into criminal court. William Burke and William Hare aided Scottish surgeons competing for anatomical breakthroughs by experimenting on human corpses. As the duo evolved from petty theft to premeditated murder, they unwittingly brought attention to the medical practices of the era, leading to Burke's death by hanging. This account not only explores the work of the resurrectionists, it reflects the nature of serial killers, 1820s criminal law, and Edinburgh's early role as a seat of European medical research. Readers interested in the legal aspects of these crimes will find the trial testimony included to be a valuable resource.

Up the close and down the stair, Up and down with Burke and Hare. Burke's the butcher, Hare's the thief, Knox the man who buys the beef. —anonymous children's song On Halloween night 1828, in the West Port district of Edinburgh, Scotland, a woman sometimes known as Madgy Docherty was last seen in the company of William Burke and William Hare. Days later, police discovered her remains in the surgery of the prominent anatomist Dr. Robert Knox. Docherty was the final victim of the most atrocious murder spree of the century, outflanking even Jack the Ripper's. Together with their accomplices, Burke and Hare would be accused of killing sixteen people over the course of twelve months in order to sell the corpses as "subjects" for dissection. The ensuing criminal investigation into the "Anatomy Murders" raised troubling questions about the common practices by which medical men obtained cadavers, the lives of the poor in Edinburgh's back alleys, and the ability of the police to protect the public from cold-blooded murder. Famous among true crime aficionados, Burke and Hare were the first serial killers to capture media attention, yet The Anatomy Murders is the first book to situate their story against the social and cultural forces that were bringing early nineteenth-century Britain into modernity. In Lisa Rosner's deft treatment, each of the murder victims, from the beautiful, doomed Mary Paterson to the unfortunate "Daft Jamie," opens a window on a different aspect of this world in transition. Tapping into a wealth of unpublished materials, Rosner meticulously portrays the aspirations of doctors and anatomists, the makeshift existence of the so-called dangerous classes, the rudimentary police apparatus, and the half-fiction, half-journalism of the popular press. The Anatomy Murders resurrects a tale of murder and medicine in a city whose grand Georgian squares and crescents stood beside a maze of slums, a place in which a dead body was far more valuable than a living laborer.

A Washington Post Best Book of the Year: Based on true events, “a solidly crafted and satisfying detective story” set in 1960s Glasgow (The Guardian). It is 1969 and Glasgow is in the grip of the worst winter in decades. But it is something else that has Glaswegians on edge: a serial killer is at large. The brutality of The Quaker’s latest murder— a young woman snatched from a nightclub, her body dumped like trash in the back of a cold-water tenement—has the city trembling with fear, and the police investigation seems to be going nowhere. Duncan McCormick, a talented young detective from the Highlands, is brought into the investigation to identify where it’s gone wrong. An outsider with troubling secrets of his own, DI McCormack has few friends in his adopted city and a lot to prove. His arrival is met with anger and distrust by cops who are desperate to nail a suspect. When they identify a petty thief as the man seen leaving the building where the Quaker’s last victim was found, they decide they’ve found their killer. But McCormack isn’t convinced . . . From ruined backstreets to deserted public parks and down into the dark heart of Glasgow, McCormack follows a trail of secrets that will change the city—and his life—forever. “Intricately plotted . . . gorgeously written.” —Toronto Star “A terrific novel, dark, powerful . . . I finished it a while ago, but I’m still haunted.” —Ann Cleeves, bestselling author of Shetland