This book considers the relationship between the humanities and the sciences in a Latin American context. The geographical emphasis is important, given the prominent role of science in the formation of the region's nation-states and its strong presence in Latin American cultural output. Most of the chapters focus on fictional narratives and scientific discourses. Questions of consent, resistance, and ideology in both fields are considered. The historical study of interplay between science and the novel helps identify what people were expected to believe at a given time, and reveals how these beliefs were sustained. This book provides insight into the connection between individual self-understanding and the surrounding world of science, within the broader question of the place of science in Latin American culture.Chapters include:• Darwin in South America: Geology, Imagination and Encounter•Walking Backward to the Future: Time, Travel and Race• Natural Parts and Unnatural Others: A reflection on Patrimony at the Turn of the 19th Century• On the Transition from Realism to the Fantastic in the Argentina of the 1870s: Holmberg and the Six of Córdoba• Literature and Science in Martinez Estrada's Work• The Nature Effect in Latin American Science Publications: The Case of the Journal Redes•Two Scientific Traditions in Martín Fierro• Heisenberg's Uncertainty Principle in Contemporary Spanish American Fiction• Constructing Postcoloniality: Scientific Enquiries in Cien Años de Soledad• Holograms and Simulacra: Bioy Casares, Subiela, Piglia• The Desert Poetics of Mario Montalbetti: Writing, Knowledge, Topologies

This book considers the relationship between the humanities and the sciences in a Latin American context. The geographical emphasis is important, given the prominent role of science in the formation of the region's nation-states and its strong presence in Latin American cultural output. Most of the chapters focus on fictional narratives and scientific discourses. Questions of consent, resistance, and ideology in both fields are considered. The historical study of interplay between science and the novel helps identify what people were expected to believe at a given time, and reveals how these beliefs were sustained. This book provides insight into the connection between individual self-understanding and the surrounding world of science, within the broader question of the place of science in Latin American culture.Chapters include:• Darwin in South America: Geology, Imagination and Encounter•Walking Backward to the Future: Time, Travel and Race• Natural Parts and Unnatural Others: A reflection on Patrimony at the Turn of the 19th Century• On the Transition from Realism to the Fantastic in the Argentina of the 1870s: Holmberg and the Six of Córdoba• Literature and Science in Martinez Estrada's Work• The Nature Effect in Latin American Science Publications: The Case of the Journal Redes•Two Scientific Traditions in Martín Fierro• Heisenberg's Uncertainty Principle in Contemporary Spanish American Fiction• Constructing Postcoloniality: Scientific Enquiries in Cien Años de Soledad• Holograms and Simulacra: Bioy Casares, Subiela, Piglia• The Desert Poetics of Mario Montalbetti: Writing, Knowledge, Topologies

Challenging the common view that Latin America has lagged behind Europe and North America in the global history of science, this volume reveals that the region has long been a center for scientific innovation and imagination. It highlights the important relationship between science, politics, and culture in Latin American history.

Highlighting the relationship among science, politics, and culture in Latin American history Challenging the common view that Latin America has lagged behind Europe and North America in the global history of science, this volume reveals that the region has long been a center for scientific innovation and imagination. It highlights the important relationship among science, politics, and culture in Latin American history. Scholars from a variety of fields including literature, sociology, and geography bring to light many of the cultural exchanges that have produced and spread scientific knowledge from the early colonial period to the present day. Among many topics, these essays describe ideas on health and anatomy in a medical text from sixteenth-century Mexico, how fossil discoveries in Patagonia inspired new interpretations of the South American landscape, and how Argentinian physicist Rolando García influenced climate change research and the field of epistemology. Through its interdisciplinary approach, Geopolitics, Culture, and the Scientific Imaginary in Latin America shows that such scientific advancements fueled a series of visionary utopian projects throughout the region, as countries grappling with the legacy of colonialism sought to modernize and to build national and regional identities.

A fantastic voyage through the early science fiction of Latin America Early science fiction has often been associated almost exclusively with Northern industrialized nations. In this groundbreaking exploration of the science fiction written in Latin America prior to 1920, Rachel Haywood Ferreira argues that science fiction has always been a global genre. She traces how and why the genre quickly reached Latin America and analyzes how writers in Argentina, Brazil, and Mexico adapted science fiction to reflect their own realities. Among the texts discussed are one of the first defenses of Darwinism in Latin America, a tale of a time-traveling history book, and a Latin American Frankenstein. Latin American science fiction writers have long been active participants in the sf literary tradition, expanding the limits of the genre and deepening our perception of the role of science and technology in the Latin American imagination. The book includes a chronological bibliography of science fiction published from 1775 to 1920 in all Latin American countries.

Characters are made, scripted, and invented, but Creators and Created Beings in Twentieth-Century Latin American Fiction explores what occurs when literary creations become creators themselves. Representing Latin American fiction’s increasingly skeptical gaze in the early- to mid- twentieth century, these literary creators breach the metafictional frame in order to problematize themes including life and death, gender and sexuality, and technology. Drawing upon a diverse range of literary works by canonical and non-canonical authors including Jorge Luis Borges, Horacio Quiroga, Carlos Onetti, Julio Cortázar, María Luisa Bombal, Carlos Fuentes, Roberto Arlt, Juan José Arreola, Eduardo Ladislao Holmberg, Clemente Palma, Adolfo Bioy Casares, and Pedro Angelici, this study excavates critical ontological and epistemological inquiries and delves into questions of identity, power, scientific knowledge, and the transformative nature of fiction.

Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.