In this new series, author Joe Carr introduces beginning to intermediate mandolin players to a variety of essential techniques using common instructional tunes. the object of the series is to ground players in good technique and to impart the essential skills required for continued self-guided development. the tunes in this volume come largely from the American folk tradition. This is a great first tutor for mandolinists with general musical interests.

If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super- powers, or making a deal with the devil. But fear not! This book will show youhow to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way

In this new addition to Mel Bay's popular "School Of" series, Carr explains how to develop unique solos to any bluegrass tune or song. Using a combination of soloing source materials, including melody, scales, patterns and common licks, this work shows how to develop pleasing solos using the melody as a guide or only following the chord progression. This work is designed for players who want to develop the ability to solo ad lib over bluegrass changes. for intermediate players.

With decades of experience on the mandocello and even more on the mandolin and guitar, the author presents a comprehensive and progressive approach to learning to play this versatile instrument. Written entirely in bass clef—the logical clef for an instrument with the same low-to-high CGDA tuning as an orchestral cello—the book starts with basic technique and music theory and ultimately brings the reader to an intermediate to advanced plateau. Whether you come to the mandocello as your first fretted instrument or transition from mandolin or guitar, this method will facilitate your progress as a literate musician. The method includes mandocello etudes by pioneering multi-instrumentalist Myron Bickford (1876–1960), popular folk melodies, a pair of duets, and a few mandocello parts from mandolin orchestra arrangements. Fretboard diagrams and standard notation introduce scales, chords, position playing, and shifting/stretching concepts as each new key signature engenders new challenges. From basic down and upstrokes to tremolo, great attention is paid to mandocello picking technique, sight reading and overall musicianship. Most tunes in this book are written as solos. Along with its online play-along audio tracks, the variety of teaching repertoire in this new method will guide you step by step in mastering the mandocello in several musical genres. Then, as a skilled mandocellist who reads the bass clef, you will be welcome as an optional low voice in any musical ensemble. Includes access to online audio.

Written in standard notation and tablature for the intermediate to advanced mandolinist, “Angeline the Baker,” “Darlin’ Corey,” and 16 other classic old-time tunes never sounded so good as in these solo arrangements by Tommy Norris. The author himself performs each tune flawlessly on the companion online audio tracks. Suggested chords are provided for optional accompaniment. Care has been taken to select the most popular tunes of this genre for inclusion in this book. “Don’t Let Your Deal Go Down” without it!

Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to different backing tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation, tablature and fretboard charts. Volume 2, Jazz and Beyond will expand your knowledge of theory by teaching you advanced chords, scales, and progressions. Sample solos and progressions are included at the end of each chapter to practice with the recordings. When finished with this book, you should feel confident improvising over any chord progression, and have a great understanding of jazz theory and how it applies to the mandolin. Includes access to online audio.

No longer confined to basic folk genres, any mandolinist aspiring to a broader comprehension of music, including swing, blues, pop, choro, broadway, and even classical can expand his/her playing and through a working knowledge of jazz fundamentals. This breakthrough approach in mandolin pedagogy takes four uncomplicated fretboard patterns (FFcP) and drills a physical familiarity into the player's fingers, softening the fear of upper frets and prepares for the harmonic alterations necessary for effective and intuitive playing of more complex contemporary music.A brief introduction into modes, the player is eased into jamming with audio accompaniment (CD), and eventually an initiation into the most fundamental jazz chord progression of all, the 'ii V7 I' pattern. from the horizontal (melody) to the vertical (chords) and back, the results are a both instinctive and physical grasp of tonal centers and the improvisational fodder of effective performing. an emphasis on pinky strength, finger control and sustain, the book's exercises also develop the player's concepts of tone and melody. Further supportive resources including MP3 audio tracks are also available on the internet. http://www.jazzmando.com/webtracks.shtml