'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.

(back cover) This is a complete course in designing ceramics with confidence. Focusing on the design process and principles of shape, form, surface, and function, it also includes practical instruction in studio techniques for rendering your ideas into reality. A complete range of practical advice is offered, organized into units covering each stage of the design process, from working out a brief and seeking inspiration to drawing up technical plans and developing the design. Design concepts with both practical and esthetic considerations are explored in detail, and real-life case studies give valuable insights into the world of practicing ceramic designers. Whether you want to create functional, hard-wearing pots or decorative fine art pieces, this book will demystify the design process and provide the inspiration and skills you need to design with flair. Anthony Quinn is a freelance designer for the tableware industry. Among his clients are Wedgewood, Royal Worcester, and Denby Pottery. He is a senior lecturer in ceramic design at the renowned Central Saint Martin's College in London and is a visiting tutor at the Royal College of Art. Anthony has recently launched a range of pierced oven and tableware with Hartley Greens pottery, designed in conjunction with the Victoria and Albert Museum in London. He has also recently designed the in-flight dining experience for British Airways First Class and Club World. He lives and works in London.

Provides an introduction to clay and pottery, plus instructions for twenty-five projects using various methods, such as a pinch and coil Japanese tea bowl and a press-molded hanging bird bath.

"Scotchie gives us an insider's look at [how to] assemble vibrant, creative studio spaces. Floor plans are provided...The photographs are excellent."--Library Journal Take a photographic tour of 10 beautiful ceramics studios, and discover exactly how and why each design so perfectly meets the artist's particular needs. Author and ceramist Virginia Scotchie covers all the practical decisions about equipment, workflow, and safety that go into setting up a new studio, from using the space effectively and dealing with lighting, electrical, and ventilation needs, to establishing a small business office. Every ceramist will find inspiration in Michael Sherrill's spacious and adaptable studio, so suited to his large-scale sculptures; Alice Munn's intimate and tidy atelier; and Ben Owen III's highly organized layout, arranged for volumes of production work and featuring a separate gallery.

The 2020 volume of Ceramics in America is a celebration of the depth and diversity of ceramics in the American context. Beautifully illustrated articles explore the use of clay from the most basic building bricks to refined earthenwares promoting the political and economic issues of the American Revolution. Of special interest is the origin of the ceramic manufacturing spark in America, looking at the Franklin Institute in Philadelphia cited by historians and connoisseurs as the height of recognition of achievement for ceramic production in the United States. The archaeological discovery of rare "black delft" teapot fragments from Charleston's Drayton Hall is recounted in an exciting collector's narrative. Other articles will include a profile of North Carolina potter David Stuempfle who continues the old-age tradition of producing wood fired stoneware, a study of Thomas Jefferson's Chinese porcelain, and Pueblo pottery collected by a German Museum in the early twentieth century.

This studio reference captures all the popular techniques available for embellishing clay, as well as a wealth of practical information and detailed images that lead readers through every phase of the design and decorating process.

"This book looks at the use of ceramics as a tool for confrontation, where artists use this ancient and most plastic of media to make provocative commentaries about the inequities of the human condition. It is a massive overview of the ceramic scene from this perspective, showcasing representative artist' work juxtaposed against their statements, to provide the contexts for the issues against which they rail."--[book cover].