This title was first published in 2000: In this detailed study, Dale (music, U. of Hull) identifies the two chamber symphonies (Opus 9 and Opus 38) that she considers to be pivotal moments in Schoenberg's musical development, and how Opus 38 seeks a reconciliation of tonality and atonality. In addition to analyzing the works, she examines those which preceded Opus 9 and indicate the composer's progression towards atonality. In a similar exploration of pieces surrounding Opus 38, she provides an assessment of the triadic language that became available to the composer in his late tonal and serial works. She also makes reference to Schoenberg's musical sketches, several of which are reproduced in this volume along with other examples from scores.

Possessing a soloistic texture and variations in instrumental color defined by Grove's as "chamber music for full orchestra," this 1909 work demonstrates the composer's daring explorations in music that renounces motivic connections and tonality. Includes bar-numbered movements and ample margins at the bottom of each page for notes and analysis.

Between 1893 and 1908, composer Arnold Schoenberg created many genuine masterworks in the genres of Lieder, chamber music and symphonic music. Here is the first full-scale account of Schoenberg's rich repertory of early tonal works. 139 music examples. 2 illustrations.

Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin’s theory of formal functions, and Hepokoski and Darcy’s Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-depth examination of nine exemplary works by four Central European composers: the Piano Sonata in B minor and the symphonic poems Tasso and Die Ideale by Franz Liszt, Richard Strauss’s tone poems Don Juan and Ein Heldenleben, the symphonic poem Pelleas und Melisande, the First String Quartet and the First Chamber Symphony by Arnold Schoenberg, and Alexander Zemlinsky’s Second String Quartet.

A comprehensive guide to the historical, analytical and interpretative issues surrounding one of the major genres of Western music.

The noted music theorist presents a brilliant and sweeping study of Schoenberg’s compositions and his influence on the generations that followed. A pioneering composer and leader of the Second Viennese School, Arthur Schoenberg was one of the most important figures in twentieth-century classical music. In Schoenberg and His School, composer, conductor, and music theorist René Leibowitz offers an authoritative analysis of Schoenberg’s groundbreaking contributions to composition theory and Western polyphony. In addition to detailing his subject’s major works, Leibowitz also explores Schoenberg’s influence on the works of his two great disciples, Alban Berg and Anton Webern. Leibowitz considers how the influences of all three men have, in turn, created new movements within contemporary music today.

Arnold Schoenberg – composer, theorist, teacher, painter, and one of the most important and controversial figures in twentieth-century music. This Companion presents engaging essays by leading scholars on Schoenberg's central works, writings, and ideas over his long life in Vienna, Berlin, and Los Angeles. Challenging monolithic views of the composer as an isolated elitist, the volume demonstrates that what has kept Schoenberg and his music interesting and provocative was his profound engagement with the musical traditions he inherited and transformed, with the broad range of musical and artistic developments during his lifetime he critiqued and incorporated, and with the fundamental cultural, social, and political disruptions through which he lived. The book provides introductions to Schoenberg's most important works, and to his groundbreaking innovations including his twelve-tone compositions. Chapters also examine Schoenberg's lasting influence on other composers and writers over the last century.