In 1912 Charles Taze Russell and his associates embarked on a bold educational venture that was far ahead of its time. It was a combination motion picture and hand painted slide presentation, synchronized with musical recordings and phonograph recorded talks. In the last three years of his life approximately eight million people all over the world saw and heard Pastor Russell on film as he introduced his epic motion picture, THE PHOTODRAMA OF CREATION. It broke all records in attendance and technology. Never before had sound and color been incorporated into motion pictures. It was the crowning feature of his ministry. This book features the a reproduction of the complete text and photographs of that film.

Growing up the son of agnostics, John Koessler saw a Catholic church on one end of the street and a Baptist on the other. In the no-man’s land between the two, this curious outside wondered about the God they worshipped—and began a lifelong search to comprehend the grace and mystery of God. A Stranger in the House of God addresses fundamental questions and struggles faced by spiritual seekers and mature believers. Like a contemporary Pilgrim’s Progress, it traces the author’s journey and explores his experiences with both charismatic and evangelical Christianity. It also describes his transformation from religious outsider to ordained pastor. John Koessler provides a poignant and often humorous window into the interior of the soul as he describes his journey from doubt and struggle with the church to personal faith

In January 2088, life in outer space is rocked with news of its first homicide. The dead man—a young Dominican Priest—had secretly made his way “upside” and lived as a common laborer. His intentions are a mystery and the killer’s identity and motive are questions that the best investigators of the new world cannot answer. With public order threatened, the reputation of the ruling engineers at stake, and criminal elements seizing the opportunity to gain control, authorities seek help from Earth—itself recovering from decades of war and environmental crises. With assistance from the Vatican, they recruit Father John Francis McClellan, a parish priest from Boston and a retired US Marine Corps expert in “high-defs”—the artificially intelligent three-dimensional printers that built the new world. A Printer’s Choice tells a story of faith, the future, and the power of free will. It explores questions about sentience, choice, and the necessity of choosing well. Set in locations on Earth and in the orbits, the story takes place in a future extrapolated from today’s geopolitical and ecological turmoil.In this epic debut novel, author W. L. Patenaude illuminates not just the struggles of our world, but also the promises and implications of building a better one, one choice at a time. Praise for A Printer’s Choice Patenaude’s masterful debut novel tells a gripping story of the near future. This is a superb morality tale in which the power of free will and the implications of making good choices are carefully woven together. Patenaude’s take on the possibilities of technology is inventive and in line with contemporary science, and his work truly shines as a nuanced, character-driven drama. This work is a must-read for those who enjoy thought-provoking, challenging speculative fiction. —Publishers Weekly Starred Review The novel grabs our attention from the first page, and delivers a suspenseful whodunit set in the chilled darkness of outer space. There are rumors that the novel could be the first in a series, and we certainly hope those rumors are true. —Dr. Kelly Scott Franklin, Writer, Assistant Professor of English at Hillsdale College Complex, action-packed and thought-provoking all at once, A Printer’s Choice is a uniquely crafted piece that doesn't handily limit itself to a single genre, but spreads its message and vision across a broad spectrum to attract a diverse audience of readers who like their sci-fi intricate, original and compelling. —D. Donovan, Senior Reviewer, Midwest Book Review Just as Aragorn embodied the role of a king in The Lord of the Rings, Father McClellan's portrayal in A Printer’s Choice captures what Christians and priests should be. His actions speak of a love for others grounded in a God who is love itself. By setting his story in the future and space, Patenaude enables readers to see the universality of this truth—that the choice to love is at the heart of the universe—more clearly. —Dr. Jason King, Professor of Theology, St. Vincent College Father McClellan is artfully drawn and compelling in his hard-won spiritual wisdom works. He uses his Marine toughness, programming skills, and gritty faith to sort out potential motivations and methods to solve the murder of an undercover priest, Father Tanglao. An engineer himself, Patenaude describes all the technological details, societal tensions, and moral ambiguities of New Athens with confidence and finesse. The most compelling passages, though, are the human ones, where McClellan and other characters grapple with their troubled pasts and future options, and the free will choices before them. —Marybeth Lorbiecki, Author A Fierce Green Fire Mr. Patenaude is a highly skilled and masterful storyteller. He crafts a story that is unique and absorbing. The ability to weave elements of science fiction, faith, and purpose into one book is truly inspiring. —Trudy Thompson, AML W.L. Patenaude pens an out-of-this-world, whodunit mystery in A Printer’s Choice. —Cheryl E. Rodriguez for Readers' Favorite

The legend of the Great Spotted Whale has never been proven until two whale watchers set out on a journey fifty years later to find the mythical animal. When they finally see it, they discover another surprise even bigger than they imagined.

Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to the United States in 1892, exhibitions at venues like the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Doré's images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecile B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization, and argues that Doré's biblical imagery negotiated the challenges of visualizing the Bible for modern audiences in both sacred and secular contexts. A set of texts whose veracity and authority were under unprecedented scrutiny in this period, the Bible was at the center of a range of historical, theological, and cultural debates. Gustave Doré is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries, and constitutes the means by which the Bible has persistently been translated visually.