A moving meditation on grief and motherhood by one of Britain's most celebrated poets. The British poet Denise Riley is one of the finest and most individual writers at work in English today. With her striking musical gifts, she is as happy in traditional forms as experimental, and though her poetry has a kinship to that of the New York School, at heart she is unaligned with any tribe. A distinguished philosopher and feminist theorist as well as a poet, Riley has produced a body of work that is both intellectually uncompromising and emotionally open. This book, her first collection of poems to appear with an American press, includes Riley’s widely acclaimed recent volume Say Something Back, a lyric meditation on bereavement composed, as she has written, “in imagined solidarity with the endless others whose adult children have died, often in far worse circumstances.” Riley’s new prose work, Time Lived, Without Its Flow, returns to the subject of grief, just as grief returns in memory to be continually relived.

'I work to earth my heart.' Time Lived, Without Its Flow is an astonishing, unflinching essay on the nature of grief from critically acclaimed poet Denise Riley. From the horrific experience of maternal grief Riley wrote her lauded collection Say Something Back, a modern classic of British poetry. This essay is a companion piece to that work, looking at the way time stops when we lose someone suddenly from our lives. A book of two discrete halves, the first half is formed of diary-like entries written by Riley after the news of her son’s death, the entries building to paint a live portrait of loss. The second half is a ruminative post script written some years later with Riley looking back at the experience philosophically and attempting to map through it a literature of consolation. Written in precise and exacting prose, with remarkable insight and grace this book will form kind counsel to all those living on in the wake of grief. A modern-day counterpart to C. S. Lewis’s A Grief Observed. Published widely for the first time, this revised edition features a brand new introduction by Max Porter, author of Grief is A Thing With Feathers. 'Her writing is perfectly weighted, justifies its existence' - Guardian

Say Something Back will allow readers to see just why the name of Denise Riley has been held in such high regard by her fellow poets for so long. The book reproduces A Part Song, a profoundly moving document of grieving and loss, and one of the most widely admired long poems of recent years. Elsewhere these poems become a space for contemplation of the natural world and of physical law, and for the deep consideration of what it is to invoke those who are absent. But finally, they extend our sense of what the act of human speech can mean - and especially what is drawn forth from us when we address our dead. Lyric, intimate, acidly witty, unflinchingly brave, Say Something Back is a deeply moving book by one of our finest poets, and one destined to introduce Riley's name to a wide new readership.

Crossing the Unknown Sea is about reuniting the imagination with our day to day lives. It shows how poetry and practicality, far from being mutually exclusive, reinforce each other to give every aspect of our lives meaning and direction. For anyone who wants to deepen their connection to their life’s work—or find out what their life’s work is—this book can help navigate the way. Whyte encourages readers to take risks at work that will enhance their personal growth, and shows how burnout can actually be beneficial and used to renew professional interest. He asserts that too many people blindly trudge through a mediocre work life because so many “busy” tasks prevent significant reflection and analysis of job satisfaction. People often turn to spiritual practice or religion to nurture their souls, but overlook how work can actually be our greatest opportunity for discovery and growth. Crossing the Unknown Sea combines poetry, gifted storytelling and Whyte’s personal experience to reveal work’s potential to fulfill us and bring us closer to ultimate freedom and happiness.

A brilliant outing from one of the finest poets currently working in the English language. This is at once a sharply political and deeply personal book which explores just that intersection. ‘Wide-ranging, sometimes anguished, her poems are fascinating and often beautiful, and certainly more than usually thought-provoking’ Guardian

A French woman’s heartrending account of her survival in a WWII Nazi concentration camp—and a tribute to her father who died there. A runaway bestseller in France, But You Did Not Come Back has already been the subject of a French media storm and hailed as an important new addition to the library of books dealing with the Holocaust. It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline—but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France, and Europe in general, face growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt. “But You Did Not Come Back is indisputably a story of survival . . . yet it is also a story of how trauma impacts through the generations.” —The Guardian

In his brilliant new novel, the first since the widely enjoyed Getting Over Homer, Mark O'Donnell takes us on a wild and funny tour through the Christmas season's ultimate challenge: the day of too many parties. It's Christmas Eve Eve Eve Eve Eve in Manhattan--five days from the holiday Ground Zero--but Tad Leary, the most confused man on earth, doesn't know whether to celebrate or go crazy. He's just been fired, he's about to be evicted from his sublet, he's getting nowhere on his overdue folklore thesis, "Social Hierarchies of Imaginary Places," and on top of everything else--or rather underneath everything else--at age thirty-four (older than Christ), he's five-foot-one and still baby-faced, so he's treated like a child wherever he goes. Nonetheless, he's been invited to seven (a magic number one of his rivals is writing a thesis about) different Christmas parties that day, and he decides to explore every one of them for possible work, apartments, love, and just plain distraction. Tad's a walking punch bowl of joy and fear, goodwill and alienation, running a constant mental argument with himself throughout his long marathon. By midnight, he will have visited all parts of his past--from brunch with his rumpled Boston Irish parents and arguably more successful brothers, to dinner with his beautiful Swedish ex-girlfriend, to a fancy, colossal uptown bash where, by now dangerously looped, he bumps into an ex-boyfriend (more confusion!) looking as "glorious and golden as a roast turkey." A farcical, over-the-top feast of twisted one-liners and outrageous imagery, Let Nothing You Dismay depicts Tad's--and everyone's--struggle for survival, with a bracing combination of Darwinian theory and hallucinatory fairy-tale wonder. It's a Chekhov story told with P. G. Wodehouse flippancy, or a tale of Celtic mysticism as S. J. Perelman might have rendered it. Above all, the bright spots in this darkest night of the soul prove that comical epiphany isn't just for Christmas anymore.