He observed that it is genetic defect of humans, since evolution from chimpanzees, that they cannot govern other humans in an honest way. All the systems of governing—i.e., military dictatorship, kings, socialism, communism, democracy, etc.—have failed to bring world peace, caused destruction, and prevent wars and exploitation of weaker humans. Hence, he is suggesting a nonhuman government all over the planet so that all creation of God can live in symbioses and spend full lives in happy, normal ways without nuclear war, military police, and jail. Ruling systems will try its best to prevent it, but it is going to happen. It was also four hundred years before Jesus Christ, and he will come back again.

It was the weapon to end all weapons: the doomsday device. A huge nuclear bomb so powerful that it could envelop the entire planet in a cloud of radioactive dust, and bring about instant extinction. This is the untold story of the Cold War’s most insane plan, the men behind it and how it nearly happened. It is also the history of humanity’s nightmare vision of a superweapon, showing how popular culture, from the stories of H. G. Wells and Jules Verne to films such as Planet of the Apes, Mad Max and Dr Strangelove itself have both shaped and reflected our darkest dreams.

This book is a giant jig-saw puzzle that took a lifetime to put together. The author has always been driven by a need to know, really know, and understand the essence of things and how they all relate to each other. To that end, he has studied many things, lived and worked in many countries and learned to do many different things. This book is the result of much reflection and inspiration in putting all the pieces together. This is an eagle's eye view of the human story from Adam to the Antichrist. It is the story of man's relationship with God, full of remarkable insight and touching compassion and inspiration. This is the story of the war against God for the heart of man. It is a unique and unprecedented book in its scope, clarity and conciseness.

Graham Swift is among the foremost contemporary British writers, having published seven highly acclaimed novels which are widely read by students and general public alike. Waterland has become a modern classic, and Last Orders won the Booker prize for fiction in 2006. This study covers all Swift's novels to The Light of Day: it offers a close reading of each of the novels, exploring the innovative formal strategies and identifying such recurrent themes as the presence of the past in the present, the blurring of distinctions between 'history' and 'story', fact and fiction, and the possibilities of redemption in a contemporary social and emotional wasteland. For the most part set in an urban, middle-class, claustrophobic and loveless present, and focused on usually fraught relationships between husbands and wives, parents and children, these recognisably postmodern novels are seen here as symptomatic of contemporary Britain: a world where, in the shadow of the nuclear holocaust, we approach 'the End o

The Man Who Sold the World is a critical study of David Bowie's most inventive and influential decade, from his first hit, "Space Oddity," in 1969, to the release of the LP Scary Monsters (and Super Creeps) in 1980. Viewing the artist through the lens of his music and his many guises, the acclaimed journalist Peter Doggett offers a detailed analysis—musical, lyrical, conceptual, social—of every song Bowie wrote and recorded during that period, as well as a brilliant exploration of the development of a performer who profoundly affected popular music and the idea of stardom itself. Dissecting close to 250 songs, Doggett traces the major themes that inspired and shaped Bowie's career, from his flirtations with fascist imagery and infatuation with the occult to his pioneering creation of his alter-ego self in the character of Ziggy Stardust. What emerges is an illuminating account of how Bowie escaped his working-class London background to become a global phenomenon. The Man Who Sold the World lays bare the evolution of Bowie's various personas and unrivaled career of innovation as a musician, singer, composer, lyricist, actor, and conceptual artist. It is a fan's ultimate resource—the most rigorous and insightful assessment to date of Bowie's artistic achievement during this crucial period.

Nearing 70, and in what would be the last decade of his life, H.G. Wells fell in love at least three times - once with the much younger Baroness Budberg, and soon thereafter with two well-born Americans, Constance Coolidge and Martha Gelhorn, 25 and 40 years his junior respectively. These would constitute what Wells himself described as his "last flounderings towards the wife idea", and demonstrate in many ways that Wells was driven less by his considerable intelligence than by his obsession to find his ideal lover - what he called his "lover-shadow". This study looks at this very personal side of H.G. Wells. The self-proclaimed Don Juan was said to have "radiated" energy: intellectual, emotional, physical and sexual. Drawing on papers made public by the Wells estate, the author documents Wells' relationship with each of these femme fatales and paints a vivid portrait of the early part of the 20th century in London, Paris and the US.