Hurled into the time flow by a banishing spell, 13th century Edmund lands into the USA, 2007, in answer to Leonas fervent prayers for help to save her town. The corporation employing the townspeople has left, the bank foreclosures have created whole streets of empty houses, people are leaving in droves the town is slowly dying. A black magician in his old time, Edmund is forbidden to do any magic if it is not for helping other people. He discovers and is fascinated by the magical powers of Internet and wants to bring instant relief to the townspeople, but Leona, who does not trust their dependency on magic, forbids him to do so. Leo, Leonas adoptive son, and his friends, Squirrel and Raccoon, accept the magic with enthusiasm and do their best to help the town to survive. When misfortune strikes, Leona gives her blessing for Edmund to use his magic.

"A compelling page-turner that will keep readers hoping against hope that everything will somehow, magically, turn out for the best." — Atlanta Journal-Constitution With a new Afterword from the author reflecting on the 100th anniversary of one of the most heinous tragedies in American history—the 1921 burning of Greenwood, an affluent black section of Tulsa, Oklahoma, known as the "Negro Wall Street"—Jewell Parker Rhodes’ powerful and unforgettable novel of racism, vigilantism, and injustice, weaves history, mysticism, and murder into a harrowing tale of dreams and violence gone awry. Tulsa, Oklahoma, 1921. A white woman and a black man are alone in an elevator. Suddenly, the woman screams, the man flees, and the chase to capture and lynch him begins. When Joe Samuels, a young Black man with dreams of becoming the next Houdini, is accused of rape, he must perform his greatest escape by eluding a bloodthirsty mob. Meanwhile, Mary Keane, the white, motherless daughter of a farmer who wants to marry her off to the farmhand who viciously raped her, must find the courage to help exonerate the man she accused with her panicked cry. Magic City evokes one of the darkest chapters of twentieth century, Jim Crow America, painting an intimate portrait of the heroic but doomed stand that pitted the National Guard against a small band of black men determined to defend the prosperous town they had built.

“A thug is someone who stands on his own. He lives by the decisions he makes and accepts the consequences. A thug is comfortable in his own skin. I wear mine like a glove.” Trick Daddy was born a thug—just a stone’s throw from downtown Miami, yet a world away from its dazzling beauty and sparkling wealth. Where grinding poverty, deadly crime, and devastating racial tension taught kids to live by the ’hood rules. Remarkably, Trick came from nothing and made it big just when his chances had run out. Magic City is the extraordinary tale of a boy whose father was a pimp, who learned to hustle to survive, and whose only role model was his brother, the drug dealer he watched plying his trade on the block. It’s the untold truth behind the cult movie Scarface, of the drug money that transformed the city into a shining mecca for the rich and famous while turf wars between smalltime pushers claimed countless lives. It’s also the incredible story of how that potent mixture of extremes—the electric pulse and glittering abundance of South Beach and the crime, corruption, and despair in its shadows—gave rise to the most dominant sound in hip-hop today. Magic City is an ode to Miami, a riveting tale of a paradise lost and a native son determined to infuse it with new life.

The Magic City Edith Nesbit The Magic City by Edith Nesbit When young Philip Haldane builds a play city out of odds and ends, the fantastic creation comes to life, and he and new stepsister Lucy are magically transported into it. Now they must try to save the Magic City by fulfilling an ancient prophecy-despite a mysterious adversary determined to steal their glory for herself. How Philip and Lucy come to forge a friendship and together triumph over impending disaster makes for a riveting read. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

NEW YORK TIMES BESTSELLER • From an award-winning journalist at The Atlantic, these searing essays make a powerful case that “real hope lies not in a sunny nostalgia for American greatness but in seeing this history plain—in all of its brutality, unadorned by euphemism” (The New York Times). NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • “No writer better demonstrates how American dreams are so often sabotaged by American history. Adam Serwer is essential.”—Ta-Nehisi Coates To many, our most shocking political crises appear unprecedented—un-American, even. But they are not, writes The Atlantic’s Adam Serwer in this prescient essay collection, which dissects the most devastating moments in recent memory to reveal deeply entrenched dynamics, patterns as old as the country itself. The January 6 insurrection, anti-immigrant sentiment, and American authoritarianism all have historic roots that explain their continued power with or without President Donald Trump—a fact borne out by what has happened since his departure from the White House. Serwer argues that Trump is not the cause, he is a symptom. Serwer’s phrase “the cruelty is the point” became among the most-used descriptions of Trump’s era, but as this book demonstrates, it resonates across centuries. The essays here combine revelatory reporting, searing analysis, and a clarity that’s bracing. In this new, expanded version of his bestselling debut, Serwer elegantly dissects white supremacy’s profound influence on our political system, looking at the persistence of the Lost Cause, the past and present of police unions, the mythology of migration, and the many faces of anti-Semitism. In so doing, he offers abundant proof that our past is present and demonstrates the devastating costs of continuing to pretend it’s not. The Cruelty Is the Point dares us, the reader, to not look away.

People from Puerto Rico have been traveling to Miami for more than a century. The island became a US territory in 1898, and islanders became US citizens in 1917; throughout the 20th century, Puerto Ricans have established communities across Miami-Dade County. They have come as farm workers, garment workers, bankers and investors, or as US service members. By the 1950s, the Puerto Rican community in Miami was strong and diverse. Boricuas in the Magic City: Puerto Ricans in Miami is a photographic voyage through Miami. Boricua is a term of endearment that Puerto Ricans call themselves that identifies them with the precolonial period when the native Tainos referred to the island as Boriken.

Glass provides a frank tour de force review of Jefferson County, Alabama during the turbulent first half of the 20th Century as seen through the eyes of the coroners, law enforcement officials and news media of that time. Material for this book was compiled over a period of 40 years.Glass's determination to assemble it into a cohesive final product was driven by my desire to avoid the fate of the non-fictional character depicted by Joseph Mitchell in his story titled "Joe Gould's Secret. This book includes portions of a number of transposed verbatim official record entries. These include the actual, uncorrected content to include misspellings and grammatical errors contained in the original documents. This foreknowledge precludes the repetitive use of the Latin term for "thus it was originally written," abbreviated as "sic," to indicate these errors. Interview records and newspaper accounts have been edited to reduce their length by not including statements or material which were considered to be redundant or which did not directly relate to the matter presented. The term "Magic City" in the title of this book is employed as a metaphor for the entirety of Jefferson County and not just for the city of Birmingham. A number of incidents which are presented occurred in Bessemer---"The Marvel City," as well as in the adjacent, then bustling West Jefferson County area commonly known as the "Cut-Off." The period which is covered extends from the late 1890s to a point just prior to the start of the World War II. The use of selected Blues music verses, which I believe serve as relevant introductions to subject matter contained in certain chapters, is predicated on the statement that: "The Blues are about the most elemental stuff in our lives---love, sex, betrayal---and our deepest longings."3 Similar, and even more extensive historical information, can be found within the coroner's records of most cities in this country and every jurisdiction has its own tales to tell. However, this is a partial story of this particular town, the "Magic City," in the early 20th century as portrayed through documented incidents and certain statistics. Although much of the material in these pages is about death, the actual subject is life.