She's a lone wolf with a cause. As a volunteer at a shelter for lone shifters--the same one that rescued her--Makenna Wray has dedicated her life to finding homes for its residents. And when she discovers that a teen in her care is related to Ryan Conner, the broody, handsome-as-sin enforcer of the Phoenix Pack, she's eager to help connect the two. She just wasn't prepared to feel a connection of her own. Lone wolves are loners for a reason--and most of them bad. Or so Ryan assumes until he meets the mysterious Makenna. Quirky and sensual, she seems to enjoy riling him, especially when she refuses to discuss her past. Although there is no mating bond, he's sure she's the one. All he has to do is be patient and wait. But when another pack's sinister Alpha comes sniffing around, threatening Makenna and her shelter, this enforcer is ready to let his wolf off the leash...

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Half-shifter Shaya may hold a submissive role in her wolf pack, but she refuses to let an Alpha male interfere in her life. When Nick refuses to claim her as his mate, she runs off to hide among the humans. Nick can barely control his urges for Shaya, but knows his degenerative brain condition will ultimately destroy him. Yet when she runs away he pursues her-- and discovers Shaya's feisty and passionate side in the process....

That her one true mate imprinted himself on another female was hard enough to accept; now it's been suggested that cat shifter Mila Devereaux enter an arranged mating. When she meets Dominic, a pack enforcer with a notorious reputation and delicious badass wolf, he makes Mila's fantasies come alive again. Alarming, compelling, and heady with sensual energy, Dominic is an expert at making women shed their inhibitions. But for the first time in his life Dominic finds himself tantalized by a female who makes him think of forever. He wants all of Mila and won't be satisfied until he has it. As the passion grows wild, so does the risk-- and it's threatening to destroy everything Mila and Dominic are destined for. -- adapted from back cover

For years, wolf shifter Jaime Farrow has harbored a not-so-secret crush on gorgeous Dante Garcea. But the time has come for Jaime to face facts: despite her best efforts, Dante just isn't interested. And that's probably for the best. The last thing Jaime needs is for anyone--particularly Dante--to find out about her little "problem"--The one that haunts her past and threatens to destroy her and everyone she loves ... As the pack Beta, workaholic Dante Garcea is responsible for the protection and safety of his entire pack and doesn't have time for distractions--especially the kind promised by Jaime Farrow. It's all he can do to keep her at arm's length and his own desire at bay. Yet when her flirtations abruptly end, Dante becomes suspicious. If a wolf is hiding something that could endanger the others, it's his business to know about it. And she is hiding something, something big, and unless he can convince her to trust him, their entire pack could be in danger. But after years of keeping her--and his desire--at arm's length, he is forced to confront the danger she poses to their pack ... and the passion smoldering between them. He knows hot-headed Jaime will resist him ... but Dante never takes no for an answer.--

A stylish critique of literary attitudes towards painting, TextualVision explores the simultaneous rhetorical formation and empirical fragmentation of visual reading in enlightenment Britain. Beginning with an engaging treatment of Pope's Rape of the Lock, Timothy Erwin takes the reader on a guided tour of the pointed allusion, apt illustration, or the subtle appeal to the mind's eye within a wide array of genres and texts, before bringing his linked case studies to a surprising close with the fiction of Jane Austen. At once carefully researched, theoretically informed and highly imaginative, Textual Vision situates textual vision at the cultural crossroads of ancient pictura-poesis doctrine and modernist aesthetics. It provides reliable interpretive poles for reading enlightenment imagery, offers vivid new readings of familiar works, and promises to invigorate the study of Restoration and eighteenth-century visual culture.

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