Robert Newcomb’s dazzling debut trilogy, The Chronicles of Blood and Stone, introduced readers to the strange and wondrous land of Eutracia. Now, in Savage Messiah, the first volume in a sweeping new trilogy of magic, romance, and adventure, Newcomb returns to the world of his epic saga, unlocking fresh secrets and startling surprises. With the demise of his evil half brother, Wulfgar, Prince Tristan restored peace to Eutracia . . . or so he thought. But the Orb of the Vigors was damaged in the climactic battle, and now the powerful artifact is bleeding magical energy and cutting a swath of death and destruction across the kingdom. Tristan can heal the wounded Orb, but not until his enchanted blood is returned to normal. Only then will the powers of the Vigors be his to command. Unfortunately, the secret of reversing the enchantment is lost. Even worse, Wulfgar is neither dead nor defeated. Ensconced in his fortress across the Sea of Whispers, Tristan’s hideously scarred half brother plots with the Heretics, the otherworldly masters of the Vagaries. With their aid, Wulfgar has grown even stronger in the dark arts. Now, with powerful demonic servants and weapons of dire potency, Wulfgar sets forth to complete the destruction of the Orb . . . and to avenge himself on the Chosen Ones. Preceding him, he sends a brotherly greeting: a cunning assassin with orders to dispatch Eutracia’s ruling council. Tristan and his trusted allies—the wise wizards Wigg and Faegan, the beautiful pirate Tyranny, and, dearest of all, his beloved Celeste—embark on a desperate quest to cleanse his blood. It is a journey that will lead from the Sea of Whispers to distant Parthalon to the mysterious Well of Forestallments, and it will change everything the Chosen Ones think they know about themselves and their destiny. If they should fail, the Orb will perish, and with it, the Vigors. As for success, it may prove more costly still. . . .

The acclaimed art fanzine’s psychogeographic drifts through a ruined city Savage Messiah collects the entire set of Laura Oldfield Ford’s fanzine to date. Part graphic novel, part artwork, the book is both an angry polemic against the marginalization of the city’s working class and an exploration of the cracks that open up in urban space.

A fascinating biography and in-depth look at the work of bestselling writer and psychologist Dr. Jordan Peterson, by award-winning author Jim Proser. Who is psychologist, professor, bestselling author, and YouTube personality Dr. Peterson? What does he believe in? Who are his followers? And why is he so controversial? These are among the many questions raised in this compelling, exhaustively researched account of his life—from Peterson’s early days as a religious-school student in small-town Canada to his tenure at Harvard to his headline-making persona of the present day. In Savage Messiah, we meet an adolescent Peterson who, scoffing at the “fairy tales” being taught in his confirmation class, asks his minister how it’s possible to believe the Bible in light of modern scientific theory. Unsatisfied with the answer he’s been given, Peterson goes on to challenge other authority figures who stood in his way as he dared to define the world in his own terms. This won Peterson many enemies and more admirers than he could have dreamed of, particularly during the digital era, when his nontraditional views could be widely shared and critically discussed. Still, a fall from grace was never far behind. Peterson had always preached the importance of free speech, which he believed was essential to finding life-saving personal meaning in our frequently nihilistic world. But when he dismissed Canadian parliament Bill C-16, one that compelled the use of newly-invented pronouns to address new gender identities, Peterson found himself facing a whole new world. Students targeted him as a gender bigot. Conservatives called him their hero. Soon Peterson was fixed firmly at the center of the culture wars—and there was no turning back. With exclusive interviews of Dr. Peterson, as well as conversations with his family, friends, and associates, this book reveals the heart and mind, teachings and practices, of one of the most provocative voices of our time.

Focusing on the necrophilic dimension of Pound's poetry and the inflections of materiality enabled by the modernist image, Tiffany finds a continuum between Decadent practice and the avant-garde, between the image's prehistory and its political afterlife, between the "corpse language" of Victorian poetry and a conception of the "radioactive" image

Ken Russell has made some of the most daring, disturbing, and beautifully photographed films of all time. Drawing from a wealth of historic and literary references, Russell's subjects are astounding: deranged Ursuline nuns in a 17th-century French province, the inner demons of Mary Shelley and Lord Byron, the sexual angst of Tchaikovsky, the emotionally drained life of Rudolph Valentino, the messianism of a pinball wizard, the fury of lesbian vampires, the introspections of prostitutes. Russell's movies offer not just brazen sensationalism but food for thought; they horrify yet inspire. And through it all, Russell maintains a simultaneously impish and intellectual sense of humor. The first full biography of the director, Phallic Frenzy is far from a dry, film-by-film analysis. It shows how Russell's real life has often been as engaging and vibrant as his film scenarios. Here you'll learn how Alan Bates and Oliver Reed compared their penis sizes for the nude wrestling scene in Women in Love; how Russell disfigured Paddy Chayevsky's script for Altered States by having the actors holler out the lines as fast as possible, accompanied by spewed food and streams of spittle; and how Russell was slated to direct Evita, starring Liza Minnelli, and the “creative differences” that ensued. A madcap tale full of wild ideas, surreal situations, and a cavalcade of colorful personalities, Phallic Frenzy is as thrilling a ride as any Ken Russell film.

This anthology explores the spatial dimension and politics of haunting. It considers how the ‘appearance’ of absence, emptiness and the imperceptible can indicate an overwhelming presence of something that once was, and still is, (t)here. At its core, the book asks: how and why do certain places haunt us? Drawing from a diversity of mediums, forms and disciplinary approaches, the contributors to Spectral Spaces and Hauntings illustrate the complicated ways absent presences can manifest and be registered. The case studies range from the memory sites of a terrorist attack, the lost home, a vanished mining town and abandoned airports, to the post-apocalyptic wastelands in literary fiction, the photographic and filmic surfaces where spectres materialise, and the body as a site for re-corporealising the disappeared and dead. In ruminating on the afteraffects of spectral spaces on human experience, the anthology importantly foregrounds the ethical and political imperative of engaging with ghosts and following their traces.

This collection of writings by Mark Fisher, author of the acclaimed Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.