John Milton, Aphra Behn, Thomas Southerne, John Arbuthnot, Alexander Pope, Jonathan Swift, and John Gay toward the end of their literary careers and at the limits of their patience employed colonial discourse to address notions that the material reality of the New World had thrown into flux: liberty, equality, slavery, race, property, and pleasure."--Jacket.

An important contribution to the understanding of George Orwell's thought, particularly to Nineteen Eighty Four. The author challenges the view of the novel as a flawed work of crushing pessimism, arguing convincingly that it is a great humanist's mature vision of his deeply troubled times.

William Butler Yeats is considered Ireland's greatest poet. He is one of the most significant literary figures of the twentieth century. He was awarded the Nobel Prize for Literature in 1923. This is the definitive collection of his poems, encompassing the full range of his powers, from the love lyrics to the political poems, from poems meditating on the bliss of youth, to the verse that rails against old age. A detailed notes section and full appendix provide an invaluable key to the poems as well as biographical information on the life of the poet and a guide to his times. The collection includes Yeats's fourteen books of lyrical poems, his narrative and dramatic poetry, and his own notes on individual poems.

Hardy's study is concerned only with Percy's fiction, rather than his life, thought or his essays. He covers all six of Percy's novels from The Moviegoer (1961) to The Thanatos Syndrome (1987), and treats them only as fiction, rather than as philosophical disquisitions or religious treatises. Hardy presents a close reading of each novel, focusing on the internal artistic consistency of the works in regard to their subgenres, adopted conventions, narrative focus, and reader/text interactions. He reveals Percy as a judicious and knowledgeable practitioner in control of his medium. ISBN 0-252-01387-5: $24.95.

Humanism is a philosophy that emphasizes the value of human life in all its creative potential within a secular context. Humanism is skeptical of religious beliefs and relies on science as the basis for understanding the universe. Although humanism has become most fully developed in the West, its origins lie throughout the world, and this perspective is shared by people from many different cultural, ethnic and racial backgrounds.In this succinct, informative, and enlightening introduction to humanism, Jim Herrick, a leading humanist advocate in Great Britain, provides a very readable account of the guiding principles, history, and practice of humanism in today''s world. Herrick surveys the tradition of humanism as it developed over many centuries, its skepticism toward belief in God and an afterlife, humanist values and arguments for morality outside of a religious framework, its attitude of tolerance toward different lifestyles and belief systems, its endorsement of democratic political principles, its strong ties to science, its evaluation of the arts as an exploration of human potential, and its concern for environmental preservation and the long-term sustainability of the earth.In conclusion, Herrick briefly describes the various humanist organizations throughout the world; particular causes championed by humanists (women''s rights, racial and sexual equality, freedom of speech and information, and education, among others); and the future of humanism.

This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment. It argues that comedy in this period is characterized by wit, satire, and humor, provoking both laughter and sympathetic tears. Comic expression in the Enlightenment reflects continuities and engagements with the comedy of previous eras; it is also noted for new forms and preoccupations engendered by the cultural, philosophical, and political concerns of the time, including democratizing revolutions, increasing secularization, and growing emphasis on individualism. Discussions emphasize the period's stage comedy and acknowledge comic expression in various forms of print media including the emerging literary form we now know as the novel. Contributions from scholars reflect a wide variety of interests in the field of 18th-century studies, and the inclusion of a generous number of illustrations throughout demonstrates that the period's visual culture was also an important part of the Enlightenment comic landscape. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to Enlightenment comedy add up to an extensive, synoptic coverage of the subject.

This study focuses on the ideas of W.B. Yeats and explores his thinking on a wide range of fundamental subjects. Since opposites are central to Yeats's thought, the book begins with an analysis of this topic. The author then examines Yeats's views on religion, sex and politics, again scrutinising the opposites at play. The author considers Yeats's adherence to various anti-empirical belief systems and the transformation of his view of sex as largely a romantic concern to his later more 'earthy' perspective. Yeats's fundamentally Tory political inclinations are examined alongside his regrettable espousal of eugenics. In the second part of the book Yeats's view of history and of human character in A Vision are analysed. The author discusses Yeats's two versions of 'Sophocles' and his poems on Byzantium. The final chapter on Yeats's style stresses the pervasive use of embedded phrases and of terminal questions in the poems.