"Saucer Attacks!" captures images of the UFO phenomenon from the golden age of flying saucers, beginning in 1947 with the infamous "Roswell Incident", and taking readers into the prosperous post-war years, when it seemed that the night skies were riddled with inexplicable phenomena. Teeming with 200 images from a variety of sources, "Saucer Attacks!" is a compendium of everything related to a time when the imagination ran wild.

The convenient myth of Wilhelm Reich is that he “lost his mind” in the early 1950s, if not before, and that the last seven years of his life and work — the orgone and radiation experiments, the cloudbuster, and flying saucer intrigues — present an embarrassment. Even the counterculture that embraced Reich, not least William S. Burroughs, Norman Mailer, and filmmaker Dušan Makavejev, tended to distort his theory. The psychosis attached to Reich by his detractors was the culmination of decades of scapegoating by psychoanalysts, Nazis, communists, and conservatives. But Reich’s environmental and Cold War preoccupations and his slow-burning fascination with UFO phenomena were not signs of a madness incipient since his break with Sigmund Freud. They anticipated and reflected much in the American psyche. Defining the presence of a “cinematic self” in the misunderstood analyst once considered an heir to Freud, Wilhelm Reich versus the Flying Saucers rejects orthodox portrayals of Reich’s final years as merely pathological. Combining original analysis and evidence from the Wilhelm Reich Archive, James Reich uncovers the fatal moments in the psychologist’s uncanny identification with the “spaceman,” and the myth of a scientist lost to his own grandiosity and paranoia. Taking seriously the influence of The Day the Earth Stood Still, Bad Day at Black Rock, and other pop cultural narratives on Reich, this “psychoanalytic detective story” concerns existential traps, conscious and unconscious collaborations and betrayals by disciples, and unidentified flying object-relations. Reich’s is an atomic-age passion narrative. Vitally, Reich’s story could be ours. The author is not related to his subject.

Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap.

In the 1990s, Chicago was at the center of indie rock, propelling bands like the Smashing Pumpkins and Liz Phair to the national stage. The musical ecosystem from which these bands emerged, though, was expansive and diverse. Grunge players comingled with the electronic, jazz, psychedelic, and ambient music communities, and an inventive, collaborative group of local labels—kranky, Drag City, and Thrill Jockey, among others—embraced the new, evolving sound of indie “rock.” Bruce Adams, co-founder of kranky records, was there to bear witness. In You’re with Stupid, Adams offers an insider’s look at the role Chicago’s underground music industry played in the transformation of indie rock. Chicago labels, as Adams explains, used the attention brought by national acts to launch bands that drew on influences outside the Nirvana-inspired sound then dominating pop. The bands themselves—Labradford, Godspeed You! Black Emperor, Low—were not necessarily based in Chicago, but it was Chicago labels like kranky that had the ears and the infrastructure to do something with this new music. In this way, Chicago-shaped sounds reached the wider world, presaging the genre-blending music of the twenty-first century. From an author who helped create the scene and launched some of its best music, You’re with Stupid is a fascinating and entertaining read.

David Childress, popular author and star of the History Channel show Ancient Aliens, brings us the amazing story of the German Andromeda craft, designed and built during WWII. Along with flying disks, the Germans were making long, cylindrical airships that are commonly called motherships—large craft that house several smaller disk craft. It was not until 1989 that a German researcher named Ralf Ettl, living in London, received an anonymous packet of photographs and documents concerning the planning and development of at least three types of unusual craft—including the Andromeda. Ettl went on to make several television documentaries based on the material in the packet and released most of the documents and photos to researchers in Austria and other parts of Europe. What the Ralf Ettl document dump shows us is what many have suspected for a long time: that WWII did not end in the manner in which we have been told, and a remnant of the Nazi military—particularly the SS—continued to operate aircraft and submarines around the world in the decades after the end of the war. Much of this activity has been attributed to UFO activity, but Childress lifts the veil shrouding some of these cases and shows that Andromeda and Haunebu craft were involved in many of these incidents over the decades. Join Childress as he shows us the secret files involving the Andromeda, Haunebu, and Vril craft. Chapters include: Gravity’s Rainbow; The Motherships; The MJ-12, UFOs and the Korean War; The Strange Case of Reinhold Schmidt; Secret Cities of the Winged Serpent; The Green Fireballs; Submarines That Can Fly; The Breakaway Civilization; more. Includes a 16-page color section. Over 120 photographs and diagrams.

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.