Sag Harbor Is an inspired collection of pieces from the past and present - from Melville to Steinbeck, James Fenimore Cooper to Betty Friedan to Spalding Gray - that celebrate the many eras and facets of the town of Sag Harbor, a literary mecca for 200 years. With dozens of striking photographs by Kathryn Szoka.

PWN is back, and better than ever. The PWN the SAT Math Guide was created to help ambitious, highly motivated kids maximize their SAT math scores. Do you crave a higher score? Are you willing to do a little hard work to achieve it? Good. I knew I liked you. Read this book from beginning to end, with a pencil in hand and a calculator and an Official SAT Study Guide by your side. When you’re done, you’ll be able to approach the SAT with confidence—very few questions will surprise you, and even fewer will be able to withstand your withering attacks. Stand tall, intrepid student. Destiny awaits. Updated for the New SAT This new edition of the Math Guide has been updated, rather painstakingly, to reflect the realities of the new SAT coming March 2016. This book was not rushed to market to take advantage of interest in the new exam. I took my time, and hopefully I got it right. Chapters are broken into five major sections: Techniques, Heart of Algebra, Passport to Advanced Math, Problem Solving and Data Analysis, and Additional Topics in Math. Each chapter concludes with a reference list of similar questions from official practice tests. Practice questions are designated as either “Calculator” or “No calculator.” Students will be forbidden from using their calculators for one whole section of the new SAT. Emphasis is placed on nimbleness—the ability to approach problems in multiple ways to find the one that works best. Calculator solutions and shortcuts are provided where appropriate. Join me online Readers of this book are encouraged to register as Math Guide Owners at the PWN the SAT website. There will be video solutions and other bonus content there. Signing up there will also give me a way to get in touch with you if I make book updates. See details at http://mathguide.pwnthesat.com.

The present collection of essays is the outcome of the Oscar Wilde conference held at the Technical University of Dresden, 31 August - 3 September 2000. The papers cover a wide range of historical and comparative aspects: they look into the status of Wilde as poet, dramatist, essayist and intellectual during his own times as well as investigate the meaning of his work for subsequent writers and critics, thus, giving an outline of the Wildean history of literary reception, intellectual discourse and media transformation. Intellectually brilliant and challenging, Oscar Wilde had been a favourite of the late Victorians, performing the roles of the dandy and the poet of art for art's sake. However, due to his questioning of prevalent moral double standards and his insistence on the autonomy of art, he was indicted for gross indecencies, convicted, and sent to prison. Instead of being ostracised, he became a source of inspiration for writers and artists on the British isles as well as on the European continent. The papers in this volume explore such topics as Wilde's concepts of socialism and aestheticism, his fashioning of the femme fatale and of the dandy, his use of fashion and of simulation, his impact on modernism and postmodernism as well as on genres such as crime writing and fictional biography, and the influence of Wilde on writers such as James Joyce, W.B. Yeats, Joe Orton, Peter Ackroyd, Tom Stoppard, David Hare and Mark Ravenhill. Other papers focus on the reception of Wilde in Russia, former Yugoslavia, Hungary and Germany as well as on cinematic and Internet representations of Wilde. Critical and creative responses vary from the general to the specific - from traditional assessments to analyses of the arts of camp, parody, and pastiche; thus, indicative of the (sub)cultural appropriation of 'Saint Oscar' (Terry Eagleton).

“Devilishly sharp… a masterful balance of psychological excavation and sumptuous description.” —Kirkus Reviews An only child, Deborah Burns grew up in prim 1950s America in the shadow of her beautiful, unconventional, rule-breaking mother, Dorothy—a red-haired beauty who looked like Rita Hayworth and skirted norms with a style and flair that made her the darling of men and women alike. Married to the son of a renowned Italian family with ties to the underworld, Dorothy fervently eschewed motherhood and domesticity, turning Deborah over to her spinster aunts to raise while she was the star of a vibrant social life. As a child, Deborah revered her charismatic mother, but Dorothy was a woman full of secrets with a troubled past—a mistress of illusion whose love seemed just out of her daughter’s grasp. In vivid, lyrical prose, Saturday’s Child tells the story of Deborah’s eccentric upbringing and her quest in midlife, long after her parents’ death, to uncover the truth about her mother and their complex relationship. No longer under the spell of her maternal goddess, but still caught in a wrenching cycle of love and longing, Deborah must finally confront the reality of her mother’s legacy—and finally claim her own.

Annabella By Kit Moulton This love story takes place in pre-WWII Europe, first beginning in Panama in the summer of 1935, where Sonny James meets Annabella. The character of Sonny James is a fictitious name of the author’s late father who kept a journal of his stay in Panama in 1935 and his ten-week bicycle trip though Europe with classmates from medical school in the summer of 1937. After Panama, there were two years of no communication—at least that’s what Sonny and Annabella thought. Each thought the other had gone their respective ways. Annabella combines factual pre-WWII European history with this bittersweet love story.