Sarah Woodward feels that God led her to Little Hickman Creek for a reason. Will she find true love from the handof the ultimate Matchmaker?

When Liza Jane Merriwether rode into town, her first thought was, Oh, Lord, what have I done? But she knew God had led her here for a reason. She just may find that with God, all things are possible.

From the acclaimed author of A Good Distance and Some Things That Stay, a thoughtful and compelling novel about the voices that call out to us—and the ways our lives can be transformed when we learn to listen. It was past two in the morning and Alice Marlowe was in bed alone when the phone rang. Lifting the receiver, she heard the voice of a child at the other end—a child who was clearly frightened, reluctant to reveal too much, and like Alice, all alone. After a brief, halting conversation—and before she knows quite what she’s doing—Alice is at the little girl’s apartment. She has no idea where Larissa Benton’s mother has gone or when she’s coming back. She knows the right thing to do is to call the police. But when they arrive and carry a crying Larissa away, accompanied by a social worker, Alice finds it difficult to let her go. She had no plans to bring a child into her life. She is single, in her late forties. She lives with a cat named Sampson and has imaginary conversations with her dead twin brother. As a sign-language interpreter for the deaf, she is used to standing between people, facilitating their conversations with each other. But perhaps it is this unusual skill that can help Larissa, who, as she travels through the labyrinth of Cleveland’s child-welfare system, refuses to speak. And perhaps that late-night call was somehow meant to bring them together—a lonely woman with no one to love, and a beautiful, scared six-year-old girl.

The Jerusalem Bible, Ellerdale Road, St Paul's Girls School and a baby monitor: books and streets, buildings and objects fill this bildungsroman set in Hampstead, North West London. Sarah Lightman has been drawing her life since she was a 22-year-old undergraduate at The Slade School of Art. The Book of Sarah traces her journey from modern Jewish orthodoxy to a feminist Judaism, as she searches between the complex layers of family and family history that she inherited and inhabited. While the act of drawing came easily, the letting go of past failures, attachments and expectations did not. It is these that form the focus of Sarah's astonishingly beautiful pages, as we bear witness to her making the world her own.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

With lips slightly parted and eyes fixed on a point in the distance, a breathtaking marble portrait of Costanza Piccolomini appears alive. Carved by Gianlorenzo Bernini in 1636-37 for his own pleasure, the portrait of Costanza is one of his most captivating works, but until now little has been known about its subject. For centuries Costanza was identified only as Bernini's mistress, who later incited his rage by betraying him for his brother. Author Sarah McPhee corrects and expands this story in her remarkable biography of a sculpture and its subject. Bernini's Beloved sets the bust and Costanza's own life--her childhood and noble name, her marriage, affair, fall from grace, and recovery--against the backdrop of Baroque Rome. Beautifully illustrated and written, this fascinating story expands our understanding of the woman whose intelligence and passion served as inspiration for Bernini's celebrated sculpture, and who courageously forged a life for herself in the decades following its creation.