Prospective college students and their parents have been relying on Loren Pope's expertise since 1995, when he published the first edition of this indispensable guide. This new edition profiles 41 colleges—all of which outdo the Ivies and research universities in producing performers, not only among A students but also among those who get Bs and Cs. Contents include: Evaluations of each school's program and "personality" Candid assessments by students, professors, and deans Information on the progress of graduates This new edition not only revisits schools listed in previous volumes to give readers a comprehensive assessment, it also addresses such issues as homeschooling, learning disabilities, and single-sex education.

In this superbly produced volume by Callaway Editions, Ltd.; the world‘s most successful bridal gown designer shares her thoughts and vision on weddings. Culled from years of experience in the wedding business, Vera Wang offers ideas on every aspect of the wedding day from invitations to flowers, from cakes to attendants. Of course, a wedding book by Vera Wang wouldn‘t be complete without detail on the bride‘s gown. She explains how to select the right neckline, construction, length, bodice, and waistline for each bride‘s figure; what fabrics are appropriate for certain times of day; how to choose a headpiece, and much more.

A “sensual, brutal . . . ambitious, dazzling, disturbing, and memorable” retelling of Jason and the Argonauts seen through the eyes of Medea (Financial Times). International bestselling and multi-prize-winning author David Vann transports readers to the Mediterranean and Black Sea, 3,250 years ago, for “[a] stunning depiction of one of mythology’s most complex characters” (The Australian). It is thirteenth century BC, and the Argo is bound for its epic return journey across the Black Sea from Persia’s Colchis with the valiant Jason, the equally heroic Argonauts, and the treasured symbol of kingship, the Golden Fleece. Aboard as well is Medea, semi-divine priestess, and a believer in power, not gods. Having fled her father, and butchered her brother, she is embarking on a conquest of her own. Rejected for her gender, Medea is hungry for revenge, and to right the egregious fate of being born a woman in a world ruled by men. In Bright Air Black, “David Vann blow[s] away all the elegance and toga-clad politeness . . . around our idea of ancient Greece . . . to reveal the bare bones of the Archaic period in all their bloody, reeking nastiness (The Times, London), and to deliver a bracing alternative to the long-held notions of Medea as monster or sorceress. We witness Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, the cataclysmic repercussions of betrayal, and the drive of an impassioned woman—victim, survivor, and ultimately, agent of her own destiny. The most intimate and corporal version of Medea’s story ever told, Bright Air Black “a compelling study of human nature stripped to its most elemental” (The Guardian).

A searing portrait of a young dancer’s descent into hell—extensively revised and returned to the two-act structure originally intended by the author. Chrissy, a bright and not-quite-innocent woman with visions of a career as a dancer, finds herself in the Boom Boom Room, a disco/bar in Philadelphia meant to be her first step on the road to stardom. Instead, she finds herself fighting to keep her dreams intact amid the anesthetic sex and stimulation that surround her, the psychological residue of her parents’ betrayals, and the bizarre pack of suitors who follow her. In a desperate search for love and hope, Chrissy careens from the seductive mistress of ceremonies at the Boom Boom Room to the earnestly friendly gay man next door to a brutally passionate lover. In its compassionate look at Chrissy’s living nightmare, In the Boom Boom Room is a piercing look at a society dangerously close to our own lives, and a drama that captures both our hearts and our heads.

"Monica Hand's me and Nina is a beautiful book by a soul survivor. In these poems she sings deep songs of violated intimacy and the hard work of repair. The poems are unsentimental, blood-red, and positively true, note for note, like the singing of Nina Simone herself. Hand has written a moving, deeply satisfying, and unforgettable book."—Elizabeth Alexander In an intimate conversation with the "High Priestess of Soul," Monica A. Hand surveys the places and moods of alienation through poems that are as musical and stylistically diverse as Nina Simone's work. Hand readily embraces a "mass hypnosis" style, putting "a spell on [us]" with her intensely passionate cries and commitment to embracing both tragedy and exuberance in these insightful poems. From "Dear Nina": I am not recession depression oppression compression crooked line broken line polka dot parking lot or spot I am a Gift from God I know that I am an un-kept solo song Monica A. Hand is a poet and book artist currently living in Harlem, New York. Her poems have appeared or are forthcoming in Aunt Chloe, Black Renaissance Noire, The Sow's Ear, Drunken Boat, Beyond the Frontier, African-American Poetry for the 21st Century, Gathering Ground: A Reader Celebrating Cave Canem's First Decade, and elsewhere. She holds an MFA in poetry and poetry in translation from Drew University and is a founding member of Poets for Ayiti.

TV personality and bestselling author Arianna Huffington explores our forgotten instinct--the search for spirituality and meaning in life. She shows how seeking fulfillment in the the first three instincts--biological survival, sexuality, and power--leads to aggression, depression, and addiction--while the Fourth Instinct transforms life.