This is the first of a number of volumes describing the 1980-86 excavations at the early medieval Benedictine abbey of San Vincenzo al Volturno in central Italy. This volume gives a general introduction to this important project, a description of the archaeological remains, and then detailed accounts of the excavation of the Carolingian Crypt Church, the `South Church', the Refectory, the Garden Court and the Entrance Hall. Also included is a reappraisal of the cycle of paintings in the crypt in the light of the excavations.

Richard Hodges, one of Europe’s preeminent archaeologists, has, throughout his career, transformed the way we understand the early Middle Ages; this volume pays tribute to him with a series of reflections on some of the themes and issues which have been central to his work over the last forty years.

Using the great south-Italian monastery of San Vincenzo al Volturno, one of the best preserved monasteries of the earliest Middle Ages, as a case-study and heuristic paradigm, John Mitchell has engaged in a wide-ranging examination of the ways in which visual culture was developed and deployed by ambitious states and institutions in early medieval Europe. The present volume includes studies on the cultural dynamics of Italy and its contribution to the visual complexion of Europe in the period, as well as essays on many aspects of the artistic culture of San Vincenzo, including a series of papers on the display of script in the physical fabric of the monastery and the prominent role it played in its self-image.

A exploration of Paschal I's building campaign that illuminates the relationship between the material world and political power in medieval Rome.