San Juan de la Cruz es el gran desconocido del pueblo cristiano. En los últimos cuarenta años han proliferado métodos de oración y meditación trascendental. Y es precisamente en esa búsqueda por encontrar una guía firme y permanente donde muchos se han topado con san Juan de la Cruz. Al paso que canta la belleza de la creación en sus sublimes poemas, el santo nos recuerda que toda la belleza creada es nada comparada con la divina. Quien renuncie a lo pasajero, superficial e ilusorio, se encontrará con el Todo de Dios. El libro que nos ofrece Isaías A. Rodríguez no pretende sustituir a san Juan en lo que pueda decirnos, sino que nos ayuda a entender lo que san Juan nos dice, a ver los caminos que va señalando, y a seguir las pautas para nuestra peregrinación que es la vida. Saint John of the Cross is the great unknown of the Christian community. The last forty years have seen a growth in prayer methods and transcendental meditation. The search for a guide that teaches such prayer and meditation practices have led many seekers to the teachings of Saint John of the Cross. Like a song that sings the beauty of the creation in its sublime poems, the Saint teaches us that all of the beauty of creation is nothing in comparison with the beauty of the divine. In this book, Isaías A. Rodriguez does not pretend to be able to substitute Saint John in what he can teach us, but he helps us to understand what Saint John says to us, to discover the roads that he shows us, and to stay on course for our life pilgrimage.

Thought and Poetic Structure in San Juan de la Cruz's Symbol of Night is a comprehensive appraisal of the traditional critical perspectives of mysticism: philosophical, theological, literary, and psychological. Examining the a priori limitations of these approaches, the book presents an original definition of the symbol as an integral whole of experience and expression, and concludes that night is the form - the organizing principle - of spiritual life.

Queer God de Amor explores the mystery of God and the relationship between divine and human persons. It does so by turning to the sixteenth-century writings of John of the Cross on mystical union with God and the metaphor of sexual relationship that he uses to describe this union. Juan’s mystical theology, which highlights the notion of God as lover and God’s erotic-like relationship with human persons, provides a fitting source for rethinking the Christian doctrine of God, in John’s own words, as “un no sé qué,” “an I know not what.” In critical conversations with contemporary queer theologies, it retrieves from John a preferential option for human sexuality as an experience in daily life that is rich with possibilities for re-sourcing and imagining the Christian doctrine of God. Consistent with other liberating perspectives, it outs God from heteronormative closets and restores human sexuality as a resource for theology. This outing of divine queerness—that is, the ineffability of divine life—helps to align reflections on the mystery of God with the faith experiences of queer Catholics. By engaging Juan de la Cruz through queer Latinx eyes, Miguel Díaz continues the objective of this series to disrupt the cartography of theology latinamente.

Este libro forma parte de una larga caminata que comenzó en Valencia siguiendo el GR-10, continuó por los Arribes del Duero (GR-14) y llegó a Finisterre atravesando Portugal y las Rías Gallegas. Desde allí continuaría por el Camino de Santiago hasta Burgos y más tarde hasta puerto de Somport.El volumen presente recoge el tramo entre el Mediterráneo, Valencia, y la frontera con Portugal. Anotaciones y reflexiones del caminante solitario que atraviesa España movido por el placer de lo que el camino le va trayendo cada día