In 1578, during months of imprisonment for his reformist beliefs, San Juan de la Cruz composed a series of narrative poems inspired by the Biblical Song of Songs—and, the story goes, a popular love song overheard from his cramped cell—that take God as the beloved. Erotically charged, initially scandalous, his mystical poetry engages with the journey of the soul through the darkest trenches of suffering and despair toward an enlightened spiritual connection with God. For hundreds of years, these poems have resonated deeply with those who search for meaning in the dark, and have influenced generations of poets, artists, and philosophers. This bilingual edition of the Complete Poems—including “Dark Night” and both the Sanlúcar and Jaén manuscripts of “Spiritual Canticle”—presents an intimate and exceptionally collaborative new translation from María Baranda and Paul Hoover. Baranda, one of the most distinguished Mexican poets of her generation, lends her deft hand with expansive, meditative poetry. Hoover—the accomplished American poet, editor, and translator—offers his dexterity with form and the possibilities of language. The product is uniquely faithful to image and idea, and loyal to the ecstatic lyricism of this canonical text. A volume that hums with the soul’s longing to find solace, The Complete Poems of San Juan de la Cruz is a collection to be treasured.

Thought and Poetic Structure in San Juan de la Cruz's Symbol of Night is a comprehensive appraisal of the traditional critical perspectives of mysticism: philosophical, theological, literary, and psychological. Examining the a priori limitations of these approaches, the book presents an original definition of the symbol as an integral whole of experience and expression, and concludes that night is the form - the organizing principle - of spiritual life.

St. John (San Juan de la Cruz) is one of the greatest mystics and poets in any language. This is a new introduction and translation of St. John'' poetry (presented in both Spanish and English) and prose commentaries that includes his biography, providing an integrated vision that resurrects the power of his poetic voice.

Swietlicki explores the works of three major writers of the Spanish Renaissance, and their relationship with the Jewish mystical tradition known as Cabala within the Christian tradition in sixteenth century Spain.

During his one and only return visit to the Philippines, Johnny de la Cruz-plagued by a sense of isolation-succumbs to a quick sexual encounter with an old flame, the attractive and beguiling Bunny Piña. Years later, nineteen-year-old Winston Piña has barely finished eulogizing his recently deceased mother when he finds a letter she wrote, but never sent, to Johnny. This leads Winston into the lives of the de la Cruz family-a family to which he might or might not belong. When the de la Cruz Family Danced explores the ties within family and how they are affected by circumstances of birth, immigration, and assimilation.

Margaret Sayers Peden, who is well known and respected for her translations of Fuentes, Neruda, Quiroga, and Paz, has made an admirable selection of poems that includes romances, redondillas, epigrams, decimas, sonnets, silvas, villancicos, and two excerpts from Sor Juana's theater. The introduction and notes provide the necessary context for those unfamiliar with the poet's life and times.